Get to know the artists, composers, staff, and board members whose combined expertise and diverse perspectives power our work.
Special thanks to Barry & Margaret Lyerly for underwriting our 2026 Season Artists
Sopranos
Elisse Albian
Ellise Albian Bio
Elisse Albian, soprano sponsored by Pat Stanley
Praised by OperaWire for their “bright and glimmering soprano”, Elisse Albian finds delight in presenting oratorios, opera, choral compositions, and all that resonates in between. An ardent advocate for the collaborative essence of musical creation, Elisse places immense value on versatility and the inherent instrumental qualities of the human voice.
Elisse’s artistic collaborations extend to prestigious ensembles such as The Choir of Trinity Wall Street, Seraphic Fire, Apollo’s Fire, The Clarion Choir, Ensemble Altera, Santa Fe Desert Chorale, Fourth Wall Ensemble, Voices of Ascension, Artefact Ensemble, Aeternum Ensemble, and The Benedict XVI Choir. They also frequently collaborates with opera companies such as Opera Lafayette and Teatro Nuovo. Crowning achievements in Elisse’s solo career include securing both First Place and Audience Choice Award at the National Oratorio Competition hosted by the Bach Festival Society of Winter Park, and First Place at the Lyndon Woodside Oratorio-Solo Competition hosted by the Oratorio Society of New York.
In the 2025-2026 seasons , Elisse performed frequently as a soloist. Highlights include performances of Mozart’s Coronation Mass with the Master Chorale of South Florida, Handel’s Messiah with Trinity Wall Street and Ensemble Altera, J.S. Bach’s Peasant Cantata, BWV 212, with Baroquelyn, and Handel’s virtuosic cantata, Il Delirio Amoroso, HWV 99, with American Classical Orchestra at the Metropolitan Museum of Art.
Image Credit: Jiyang Chen
Seasons
1st Season
Location
New York, NY
Julie Bosworth
Julie Bosworth Bio
With a voice like “a long, unbroken beam of light” (San Francisco Classical Voice), soprano Julie Bosworth has captivated audiences from coast to coast. From medieval music to world premieres, she finds purpose in collaborating with artists across a vast array of musical genres.
Equally at home on the concert stage, she has been a featured soloist with American Bach Soloists, Tempesta di Mare, the Baltimore Symphony Orchestra, Staunton Music Festival, Mountainside Baroque, True Concord Voices and Orchestra, Baltimore Choral Arts Society, Handel Choir of Baltimore, Bach in Baltimore, and The Bach Choir of Bethlehem. Furthermore, Julie has sung extensively with the ensembles Apollo’s Fire, The Washington Bach Consort, The Broken Consort, Seraphic Fire, The Thirteen, True Concord, Kinnara, Hesperus, Les Canards Chantants, The New Consort, Musica Spira, the Peabody Consort, Istanpitta, the 21st Century Consort, and Pitch Craft Collective.
Julie can be heard on “Isle of Majesty”, an album of original works by Emily Lau, and numerous recordings with The Thirteen, Grammy-nominated True Concord Voices and Orchestra, and The Choir of the Basilica of the National Shrine of the Immaculate Conception. She resides in Washington D.C. with her husband, baritone Corbin Phillips, and their dog, Penny.
- Website: juliebosworthsoprano.com
Seasons
2nd Season
Location
Washington D.C.
Chelsea Helm
Chelsea Helm Bio
Appearance sponsored by Marianne Reuter
With spirit and sensitivity, soprano Chelsea Helm brings a versatile voice to the concert stage. As an oratorio soloist, her latest appearances include repertoire across styles and centuries: the Monteverdi Vespers of 1610 (Upper Valley Baroque), the Haydn Creation (True Concord Voices & Orchestra), and Orff’s Carmina Burana. Last season she made her international debut as the soprano soloist for Vaughan Williams’ A Sea Symphony at the Seoul Arts Center in South Korea.
Favorite chamber performances in recent seasons have included David Lang’s Little Match Girl Passion with Atlanta’s Kinnara, Bach’s cantata BWV 82a “Ich habe genug” with the Bach Vespers series at Holy Trinity Lutheran in New York City, Schoenberg’s Das Buch der hängenden Gärten with CMI San Antonio, and a program of works by women composers of the Italian Baroque with Concordia Chamber Players in New Hope, PA.
Also an active choral artist, Ms. Helm appears and records regularly with Seraphic Fire, the Santa Fe Desert Chorale, True Concord Voices & Orchestra, DC’s The Thirteen, Kansas City’s Spire Chamber Ensemble, the internationally touring American Soloists Ensemble, and Conspirare, with whom she was nominated for a GRAMMY® award for Best Choral Album.
Ms. Helm holds a Master of Music in Voice Performance from the Shepherd School of Music at Rice University, and a Bachelor of Music in Voice Performance and Music Education from Western Michigan University. Also a WMU Gold Company alumna, Ms. Helm recorded a Downbeat award-winning album in 2013 with vocal jazz quartet the Four Corners. She enjoyed bringing her jazz background to Santa Fe during the 2019 Summer Festival, with a special program spotlight, Late Night with Chelsea Helm and the Bert Dalton Trio.
Ms. Helm is an adjunct teacher of voice at Southern Virginia University and is on the faculty of the Classical Music Institute’s ASCEND program in San Antonio, TX. She has presented art song recitals in New Mexico, Virginia, Utah, Texas, and in her home state of Michigan. She is now based in Washington, DC.
- Website: chelseahelmsoprano.com
- Image Credit: Caitlin Oldham
Seasons
9th Season
Location
Elijah McCormack
Elijah McCormack
Appearance sponsored by Dr. Douglas P. Clark and Mr. Scott Allocco
Elijah McCormack, male soprano, has garnered praise in both concert and opera for his “radiant” tone and “expressive sophistication” (Dallas Morning News). He has performed as a soloist and ensemble member with organizations such as Seraphic Fire, Washington Bach Consort, Newberry Consort, Ensemble Altera, The Crossing, Ars Lyrica Houston, Dallas Bach Society, ANIMA Early Music, Staunton Music Festival, Experiential Orchestra, the Orchestra of St. Luke’s, and American Bach Soloists. Opera credits include Haymarket Opera’s Artaserse (Semira) and L’incoronazione di Poppea (Amore/Valletto), IN Series’s The Return of Ulysses (Telemachus) and Poppea, (Cupid/Valletto), IlluminArts Miami’s The Turn of the Screw (Miles), and Lowell House Opera’s world premiere of NIGHTTOWN (Bell[x] Cohen). Awards: first place and audience favorite in the 2024 Madison Handel Aria Competition; second place in the Oratorio Society of New York’s 2023 Woodside Solo Competition. He received his Master’s degree in Historical Performance at Indiana University, where he studied with Steven Rickards.
- Website: elijahmccormacksoprano.com
- Image Credit: Julian Morris
Seasons
2nd Season
Location
Kori Miller
Kori Miller Bio
Appearance sponsored by Lore Thorpe
With a soprano voice “possessing indescribable height of emotion” (Charleston Today), Kori Miller is a dynamic artist poised to grace the world’s choral and operatic stages. Described as “obviously talented and comfortable on stage” (Charleston Today), Miller is renowned for her charismatic characterizations and “hauntingly beautiful notes” (Post and Courier).
Miller has enjoyed extensive success both as an active concert artist and professional choral singer. In 2024 and 2025, she joined the Grammy Award-winning ensemble Voces8 on tours across Sweden, London, Germany, Switzerland, Brussels, Singapore, the USA, and Australia, where she made her Sydney Opera House debut. She can be seen performing with Voces8 on YouTube and in the 2024 production of Live From London.
In addition to her work with Voces8, Miller performs regularly with distinguished ensembles such as Conspirare, Cincinnati’s Vocal Arts Ensemble (VAE), Audivi, Orpheus Chamber Singers, and Santa Fe Desert Chorale.
Miller’s operatic roles include the title role in Durón’s Apolo y Dafne with the Orchestra of New Spain (2023) at Moody Performance Hall in Dallas, TX, and Blanche Dubois in A Streetcar Named Desire by André Previn, which recently won the National Opera Association’s 2023 Opera Production Competition. Her performance was hailed by internationally renowned soprano Beverly Hoch as “simply breathtaking… bravissima-in-the-highest… created exactly what Blanche wanted: magic.” Other notable roles include Eve in Melani’s Il Fratricidio di Caino at the Olomouc Baroque Festival in the Czech Republic, Gianetta (L’elisir d’amore), Contessa (Le Nozze di Figaro), Ciesca (Gianni Schicchi), Yum-Yum (The Mikado), and Lola Markham (Gallantry). In 2018, Miller was a Young Artist with Opera Naples, where she had the privilege of coaching extensively with Metropolitan Opera singers Bruce Ford, Sherill Milnes, and Verónica Villarroel.
Hailing from Charleston, South Carolina, Miller is currently based in Denton, Texas, where she is
pursuing a Doctor of Musical Arts degree in opera performance and vocal pedagogy.
- Website: korimillersoprano.com
- Image Credit: Lauren Salazar
Seasons
2nd Season
Location
Argyle, TX
Sarah Moyer
Sarah Moyer Bio
Appearance sponsored by Allegra and Jim Derryberry
Soprano Sarah Moyer’s recent and upcoming solo work includes performances with Baroque Music Montana, Oklahoma Baroque Orchestra, Baroque Chamber Orchestra Colorado, Colorado Bach Ensemble, Boulder Bach Festival, Aspen Chamber Symphony, Bourbon Baroque, and Emmanuel Music, with American premieres by Melani and Nørgård, and world premieres by Harbison, Kallembach, Theofanidis, Runestad, and Cohen, among others. She regularly appears with Skylark and the Santa Fe Desert Chorale. She also performs early twentieth-century popular music with her ukulele, and enjoys an active lifestyle with her husband, two sons, and their beautiful catahoula leopard.
- Website: www.sopranosarahmoyer.com
- Image Credit: Michael Justin Studios
Seasons
11th Season
Location
Denver, CO
Kathlene Ritch
Kathlene Ritch Bio
Appearance sponsored by Tom and Anne Conner
Known for her “powerful, crystal-clear voice,” Kathlene Ritch has sung with such noted ensembles as the New York Philharmonic, London Sinfonietta, and the Vienna Philharmonic. After graduating from the University of Texas at Austin with a degree in music education, she worked on a cruise ship and then moved to New York City where she made her solo debut at Lincoln Center with the American Symphony Orchestra in Listz’s Dante’s Inferno. With that same ensemble, she recorded a live concert version of Die ägyptische Helena as Hermione opposite Deborah Voigt’s Helen. Kathlene’s true passion, musical theater, has been a lifelong pursuit. Two of her career highlights were performing Sweeney Todd at Lincoln Center, and Carousel at Carnegie Hall. Kathlene now lives in Santa Fe where she teaches music classes and voice at the New Mexico School for the Arts and cantors at the Church of the Holy Faith. She is also the Music Director for Tri-M Productions, a non-profit organization with the mission to give local ‘Millennials’ opportunities to perform musicals at a professional level. Besides singing with the Santa Fe Desert Chorale, she also performs with other groups around the country, including the Grammy-winning ensemble, Conspirare. When she isn’t singing or playing the piano, Kathlene is also an on-air announcer for Classical 95.5 KHFM Santa Fe/Albuquerque, for which she has won a “Golden Mike” award from the New Mexico Broadcasters Association.
- Website: kathleneritch.com
- Image Credit: Summer Maulden
Seasons
18th Season
Location
Santa Fe, NM
Addy Sterrett
Addy Sterrett Bio
Appearance sponsored by Dr. J. Randle Adair DO, PhD
Soprano Addy Sterrett is known for her stylistic versatility and expressivity, performing a wide range of repertoire as both a soloist and ensemble musician. Equally at home in early music, contemporary, and large-scale symphonic repertoire, she is a sought-after collaborator whose “timbre imparts a touch of magic” (Gramophone UK). Recent performance highlights include Mahler’s Symphony No. 4 with the Grand Rapids Symphony, singing background vocals on Björk’s Cornucopia tour, and LA Master Chorale’s acclaimed touring production of Schütz’s Musikalische Exequien (directed by Peter Sellars) at the Salzburg Festival and Philharmonie de Paris.
In addition to her work as a chorister and soloist with the Los Angeles Master Chorale, Addy performs regularly with Seraphic Fire, Santa Fe Desert Chorale, True Concord, Skylark, and Evergreen Ensemble. Deeply engaged with historically informed performance practice, she makes frequent appearances with Tesserae Baroque, Three Notch’d Road, and the Baroque Festival Corona Del Mar. She co-founded Peasant Fylthe, a collective exploring lesser-known and less-than-sacred repertoire. She also helped establish Baroque Collegium Los Angeles, a vocal octet and orchestra seeking to bring more performances of sacred vocal works of the baroque era to LA’s vibrant music scene.
She was named Audience Favorite at the 2025 American National Oratorio Competition, received the Linn Maxwell Keller Distinguished Bach Musician Award in 2022, and was a Virginia Best Adams Fellow at the Carmel Bach Festival in 2024. Her voice can also be heard on several film soundtracks including Twisters, Superman (2025), and How to Train Your Dragon (2025).
Originally from northern Michigan, Addy is an alumna of Interlochen Arts Academy and received her master’s degree at Yale’s Institute of Sacred Music. Outside of singing, she enjoys composing folk melodies, practicing yoga, and spending time outdoors.
- Website: www.addysterrett.com
- Image Credit: Spencer Worthley
Seasons
2nd Season
Location
Altos
Kerry Ginger
Kerry Ginger Bio
Appearance sponsored by Rick Gustafson
Kerry Ginger, mezzo soprano, is active nationally as a performer, clinician, voice pedagogue, and scholar. Currently Associate Professor of Voice and Chair of Music at The University of the South in Sewanee, Tennessee, Kerry has appeared as a soloist with the Chattanooga Symphony, Music in the Mountains, The Phoenix Symphony, Arizona Opera, Phoenix Opera, Cal Poly Bach Week, Mid-Columbia Mastersingers, and the Bach Vocal Artists. Also an avid ensemble artist, she performs with the Oregon Bach Festival Chorus, True Concord Voices and Orchestra, Bach Festival Society of Winter Park, Kinnara, and Orpheus Chamber Singers. Kerry appears on Grammy Award-winning recordings by True Concord and the Phoenix Chorale, and has published liner notes for Albany Records. She maintains an active portfolio of recitals and vocal music research, specializing in early twentieth-century music by German and Austrian women. Kerry earned her Doctorate of Musical Arts in Voice and Master of Music in Opera Performance at Arizona State University. Originally from Portland, Oregon, she now resides in beautiful Chattanooga with her partner, tenor Erik Gustafson, and their two cats, Beanbag and Junebug.
Seasons
12th Season
Location
Chatanooga, TN
Dianna Grabowski
Dianna Grabowski Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
Mezzo-soprano Dianna Grabowski, described as “glamorous” and “glowing-toned” by the Dallas Morning News, is an active performer of music spanning the Renaissance through the 21st century. Dianna particularly values the collaborative nature of classical singing, be it in chamber music, oratorio, opera, choral music, early music, or new music, and is constantly inspired by the generosity and talent of her musical colleagues.
As a concert soloist, Dianna has performed with such groups as the Winston-Salem Symphony, TENET, Longview Symphony Orchestra, Dallas Bach Society, and Bourbon Baroque. Memorable performances include singing with the New York Philharmonic and The Crossing in the world premiere of Fire in My Mouth by Julia Wolfe, the recording of which was nominated for a Grammy. Dianna also sings frequently with professional ensembles such as the Santa Fe Desert Chorale, Lorelei Ensemble, and True Concord.
Dianna has been featured on many commercial recordings, including two with the baroque ensemble Armonia Celeste, of which she was a founding member. The group’s debut album, “Udite, Amanti – Lovers, Beware!” (2014) was followed by “The Rebel Queen,” (2021) both released by Centaur Records. She is also featured as the alto soloist on a new edition of Handel’s Messiah, recorded with the Dallas Bach Society, which was released in fall 2024.
In addition to performing, Dianna is a committed voice teacher to students of all ages. She currently teaches voice at the Stephen F. Austin State University Preparatory Division and has given masterclasses at various universities. She currently lives (and cooks and gardens) in Nacogdoches, TX with her husband, conductor Gregory Grabowski, and two sons, Ben and Sam.
- Website: www.diannagrabowski.com
- Image Credit: Jared Rey
Seasons
14th Season
Location
Nacogdoches, TX
Sylvia Leith
Sylvia Leith Bio
Appearance sponsored sponsored by Brahna Wilczynski, in memory of Janusz Wilczynski
Sylvia Leith, mezzo-soprano, is a soloist and consort singer. She has appeared as a soloist with the Baltimore Symphony, Winston-Salem Symphony, Lancaster Symphony, Washington Bach Consort, Oregon Bach Festival, St. Thomas Fifth Avenue, Bach Choir of Bethlehem, American Classical Orchestra, Bach Akademie Charlotte, New York Choral Society, Riverside Choral Society, Cantata Collective, and Baroque Music Montana, among others. Known primarily for her performances of the high baroque works of Bach and Handel, she is equally at home singing repertoire of the Romantic era including Mahler, Elgar, and Brahms, as well as 20th-century and newly composed works. Solo engagements in the 2025–26 season include Bach’s Christmas Oratorio with Washington Bach Consort, Bach’s Magnificat at the Washington National Cathedral, Handel’s Messiah with Tempesta di Mare, Beethoven’s Symphony No. 9 with Great Falls Philharmonic, and Bach secular cantatas with Jos van Veldhoven at the Oregon Bach Festival.
Equally dedicated to ensemble singing, Sylvia’s choral credits include Ensemble Altera, Skylark, Seraphic Fire, True Concord, TENET, Lorelei, Bach Collegium San Diego, Ekmeles, the Oregon Bach Festival Chorus, the Crossing, and the Choir of Trinity Wall Street. In 2020 she co-founded the Polyphonists, a versatile vocal quartet, alongside her husband, bass-baritone Edmund Milly.
Her operatic roles include Nerone in Monteverdi’s L’incoronazione di Poppea, the title role in Handel’s Giulio Cesare in Egitto, Hänsel in Humperdinck’s Hänsel und Gretel, and Nancy in Britten’s Albert Herring.
Sylvia won first prize in the 2024 Bethlehem Bach Aria Competition, and was a 2024 Virginia Best Adams vocal fellow at the Carmel Bach Festival. She holds a bachelor’s degree in German from Yale and a master’s in Voice from Boston University.
Photography credit: Jonathan Nesteruk
Seasons
1st Season
Location
Washington D.C.
Kate Maroney
Kate Maroney Bio
Appearance sponsored by Laurie Meyer in Memory of Dick Meyer
Mezzo-soprano Kate Maroney is in demand as a versatile concert soloist in repertoire from Bach to the 21st-century. Kate has appeared with the Metropolitan Opera, Baldwin Wallace Bach Festival, Bangor Symphony Orchestra, Orlando Philharmonic Orchestra, Blue Hill Bach, Indianapolis Symphonic Choir, New York City Ballet, Santa Fe Desert Chorale, Seraphic Fire, Berkshire Choral Festival, Voices of Ascension, TENET Vocal Artists, Ekmeles, Carmel Bach Festival, Opera Grand Rapids, Beth Morrison Projects, Brooklyn Art Song Society, Bard SummerScape, Trinity Wall Street, LA Opera, Lincoln Center Festival, Oregon Bach Festival, Musica Sacra, Bach Collegium San Diego, Princeton Pro Musica, Bach Vespers Holy Trinity, Mark Morris Dance Group, Yale Choral Artists, American Opera Projects, The Crossing, and Clarion. Kate has premiered works and collaborated closely with the Philip Glass Ensemble (world tour from 2012—2015 in Einstein on the Beach) and has collaborated with many composers including David Lang, Michael Gordon, Martin Bresnick, Julia Wolfe, Missy Mazzoli, Matthew Ricketts, Hannah Lash, Nina Young, Dominick Argento, Christopher Cerrone, and Ted Hearne.
She is featured on Grammy-nominated recordings with Albany, Naxos, and New Amsterdam Records, and is part of the Grammy-winning recording of Ethel Smyth’s “The Prison” (Chandos 2020.) She is a soloist on recordings with Clarion (Maxamillian Steinberg’s Passion Week,) Seraphic Fire’s recording of Hildegard von Bingen’s Ordo Virtutum, and a forthcoming vocal quartet recording with David Lang of The Little Match Girl Passion, which will be released on Cantaloupe Records in Fall 2023. She holds a D.M.A. from Eastman, degrees from SUNY Purchase and Yale, and teaches voice at Mannes (The New School) and the Yale Institute of Sacred Music.
When not singing or teaching her heart out, Kate enjoys studying French, and embarking on urban hikes around her beloved Brooklyn, where she resides with musician-husband, Red Wierenga, and their son, Ossian. As a native of Toms River, NJ, and a lifelong “East coaster,” Kate has been enchanted by magical Santa Fe ever since her first season. She loves singing with the Santa Fe Desert Chorale community and returns for her ninth season this summer.
- Website: katemaroney.com
- Image Credit: Jiyang Chen
Seasons
Location
Brooklyn, NY
Sarah Nickerson
Sarah Nickerson Bio
Appearance sponsored by Phyllis Lehmberg
Mezzo-soprano Sarah Nickerson (she/her) loves to artistically genre-jump and brings an embodied, story-centered approach to her performances. She has been a lead actor/singer in musicals, rock operas, experimental contemporary classical, early music, opera, oratorio, and choral works. Sarah has been a member of the Santa Fe Desert Chorale for almost 20 years and has sung with the St. John’s Cathedral music program for over a decade. She has performed with Kinnara Ensemble (Atlanta, GA), The Thirteen (Washington, DC), Chatter of Albuquerque, and Polyphony Voices of New Mexico. Sarah is also an ordained Inter-Spiritual minister and movement guide and founded inSpirit Studios in 2021.
- Image Credit: Tira Howard Photography
Seasons
18th Season
Location
Minneapolis, MN
Pamela Terry
Pamela Terry Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
Pamela Terry, mezzo-soprano, embraces versatility as the foundation of her musical career. As a member of the GRAMMY®-nominated Trinity Choir, she finds joy interpreting and improvising across classical and popular styles, alike. Recent performance highlights include Tyshawn Sorey’s Monochromatic Light, Julia Wolfe’s Anthracite Fields, Huang Ruo’s Book of Mountains and Seas, and Ellen Reid’s p r i s m, winner of the 2019 Pulitzer Prize for Music.
Prior to establishing her career in NYC, Pamela served as a vocalist with The US Army Field Band and The US Army Band “Pershing’s Own” in Washington, DC, representing the US as a soloist in forty-eight states and internationally, including performances throughout China in an historic exchange with The Military Band of the People’s Liberation Army of China. Pamela was also the vocal soloist for the 63rd Annual National Veterans Day Observance at Arlington National Cemetery with then-President Obama in attendance.
As a soloist, Pamela has appeared with the Boston Pops, the Charlotte Symphony, the Jacksonville Symphony, and made her Kennedy Center debut with The Washington Chorus. As a choral artist, she performs with Santa Fe Desert Chorale, The Clarion Choir, Voices of Ascension, and Ensemble Altera among others. In addition to a Master of Music in Vocal Performance from the Eastman School of Music, Pamela earned her Master of Social Work from NYU’s Silver School of Social Work in 2020 as a part of her commitment to personal and collective healing, trauma-informed practices within arts institutions, and music-making in service of social change.
Photo Credit: Elizabeth van Os
Seasons
3rd Season
Location
NYC, NY
Erin Roth Thomas
Erin Roth Thomas Bio
Appearance and travel expenses sponsored by Katherine and William Landschulz
Praised for possessing “a voice of surprising power and emotion” (TheaterJones), and “great dignity and a gorgeous mezzo, finely finished and expressive” (Dallas Morning News), lyric mezzo soprano Erin Roth Thomas regularly performs with some of the finest musical organizations in the country, singing a vast repertoire that spans from early to 20th century music.
As a concert soloist, Erin has had the honor of singing many masterworks, including Mahler’s Symphony No. 2 (Resurrection), Bach’s Mass in B Minor, Mozart’s Requiem, Verdi’s Requiem, and Pergolesi’s Stabat Mater. She has also enjoyed semi-staged productions including the title role in Vivaldi’s Juditha Triumphans and Juno in Eccles’ Semele.
Equally comfortable on the opera stage, Erin has performed numerous roles, including Meg Page in Verdi’s Falstaff, Acis in Literes’ Acis y Galatea, Hansel in Humperdinck’s Hansel and Gretel, Prince Orlofsky in Strauss’ Die Fledermaus, and The Mother in Menotti’s Amahl and the Night Visitors.
In recent seasons, Erin has sung with Portland Opera, Canterbury Voices, American Baroque Opera Company, Orchestra of New Spain, Orpheus Chamber Singers, and Plano Symphony Orchestra, among others.
From Lufkin, Texas, and a proud graduate of Stephen F. Austin State University, Erin lives in Southeast Texas with her husband, Chad.
- Website: erinroththomas.com
Seasons
2nd Season
Location
Plano, TX
Tenors

George Case
George Case Bio
Appearance sponsored by Richard and Chris Frenk
Seasons
15th Season
Location
Santa Fe, NM
Brad Diamond
Brad Diamond Bio
Appearance sponsored by Bill and Susan Cammock
Brad Diamond is a Professor of Voice and Vocal Pedagogy at Samford University. He was classically trained as an operatic vocalist and has performed professionally across the United States and Canada for the past three decades. Dr. Diamond completed his Bachelor of Music Degree from Westminster Choir College in Princeton, NJ in 1991. He received his Master and Doctorate degrees from the University of Cincinnati’s College Conservatory of Music between 1993 and 2004. While attending Westminster, Diamond sang as a soloist under the baton of the late Leonard Bernstein. Diamond’s recording discography includes multiple Grammy nominations, and he can regularly be heard presenting significant performance projects on Samford’s campus in faculty recitals.
Image Credit: Hope Austin
Seasons
5th Season
Location
Sterrett, AL
Erik Gustafson
Erik Gustafson Bio
Appearance sponsored by Barbara and Gregory Kok
Erik Gustafson, tenor, is active across the nation as an oratorio soloist and choral artist. A native of Portland, OR, he received his education from Arizona State University, and currently resides in Chattanooga, TN, where he is a voice instructor at Sewanee: The University of the South. Previously, he worked as a voice instructor at Fort Lewis College in Durango, CO.
Erik has collaborated on two Grammy-winning recordings with the Phoenix Chorale, as well as albums with Skylark Vocal Ensemble (Boston, MA), Santa Fe Desert Chorale, Bach Collegium San Diego, Conspirare (Austin, TX), True Concord Voices and Orchestra (Tucson, AZ), Spire Chamber Ensemble (Kansas City, MO), and Sounding Light (Detroit, MI). He also currently performs with acclaimed ensembles such as Seraphic Fire (Miami, FL), Brevitas (Salt Lake City, UT) and Kinnara (Atlanta, GA). He was a founding member of the chamber ensembles Quadrivium (Durango, CO) and Helios (Phoenix, AZ).
As a soloist, Erik has performed as Evangelist for Bach’s Christmas Oratorio with the Oregon Bach Festival as part of their Vocal Fellows program, Evangelist for the St. John Passion with Apollo Chorus of Chicago and Elmhurst Synphony Orchestra, Evangelist for the St. Matthew Passion with the Arizona Bach Festival, tenor soloist in Handel’s Messiah with Tucson Symphony, and has been featured as a soloist with many other organizations across the nation including the Phoenix Symphony, Idaho Falls Symphony, the Bach Vespers series at Holy Trinity Lutheran Church in New York City, Colorado Bach Ensemble, the Delaware Valley Chorale, Abendmusik (Lincoln, NE), Phoenix Opera, and Bach Society Houston.
Image Credit: Jon Simpson Photography
Seasons
11th Season
Location
Chatanooga, TN
Michael Jones
Michael Jones Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
Hailed as “superb,” (Gramaphone), Los Angeles-based tenor Michael Jones is an international soloist, collaborator, and recording artist in high demand. Jones’ “robust tenor” (San Diego Story) spans from the Baroque to contemporary genre-bending commissions. He has performed with an array of ensembles as a soloist and ensemble member, where he has “blended gorgeously” (South Florida Classical Review).
In his 2025/2026 season, Jones’ notable engagements include his solo debut with Apollo’s Fire, Con Gioia Bach, and appearances with Bach Collegium San Diego, Tesserae Baroque, The Crossing, Santa Fe Desert Chorale, Seraphic Fire, Harmonium Stellarum, HEX,, Aeternum, Musica Transalpina and internationally, with Los Angeles Master Chorale.
Recent highlights include Jones as the tenor soloist with Philharmonia Baroque for performances of Nun komm, der Heiden Heiland, BWV 62 and Herz und Mund und Tat und Leben, BWV 147a. He has also appeared as a soloist with the Philadelphia Orchestra, Cal Poly Bach Festival, Long Beach Symphony, and Choral Arts Philadelphia.
Jones appears on over thirty acclaimed commercial recordings, including four GRAMMY-award-winning albums for Best Choral Performance: three with The Crossing (2018, 2022, and 2025) and one with Los Angeles Master Chorale/LA Phil (2026) – 13 GRAMMY nominated albums (nine with The Crossing, three with Conspirare and one with LA Master Chorale). Additional recording credits include works with Resonance Collective, Vocal Arts Ensemble Cincinnati, and The Thirteen. In addition, Jones has recorded on Delos, Parma, Albany, World Library Publications, and GIA and has performed on five Downbeat Award-winning recordings.
A SAG-AFTRA vocalist, Jones has also contributed to major feature films such as “How To Train Your Dragon,” “Wicked: For Good” and was featured in Macy’s Singing Tree for the Macy’s Day Parade (2022 and 2023), further showcasing his artistic range across classical and commercial stages.
- Website: MichaelJonesmusic.com
- Image Credit: Lora Sherrodd
Seasons
7th Season
Location
Bradley Naylor
Bradley Naylor Bio
Appearance sponsored by Carmen Paradis and Brian McGrath
Praised for his supple musicianship and expressive command of a wide range of repertoire spanning the Renaissance to the present day, tenor Bradley Naylor brings both scholarly depth and communicative warmth to every performance.
In the 2025–26 season, Bradley joins the Orpheus Chamber Singers for their May 2026 concerts in Dallas and Fort Worth, and serves as tenor section leader with the Fort Worth First United Methodist Church’s Choral Union and Adoramus Chamber Choir. Recent highlights include his appearance as tenor soloist in Handel’s Messiah with Broadway Baptist Church and the Fort Worth Symphony in December 2025, and a faculty trio recital at Texas Wesleyan University featuring music for piano, cello, and tenor.
Among Bradley’s notable recent engagements are solo appearances with the Lancaster Chorale, the Vocal Arts Ensemble of Cincinnati under Craig Hella Johnson, and the Owensboro Symphony Orchestra, where he has performed repertoire ranging from Handel’s Messiah to Bernstein’s West Side Story Suite. He has appeared as the evangelist and tenor soloist in Bach’s St. John Passion. A longtime member of the Santa Fe Desert Chorale, Bradley has appeared with the ensemble each summer since 2009, including performances of Monteverdi’s 1610 Vespers.
Bradley Naylor holds the Doctor of Musical Arts and Master of Musical Arts degrees in Choral Conducting from the Yale School of Music, where he studied with Marguerite Brooks, Simon Carrington, and Jeffrey Douma, and the Master of Music from the Indiana University Jacobs School of Music. He received his Bachelor of Arts, magna cum laude, in Music from Brown University. He currently serves as Director of Choral Studies at Texas Wesleyan University in Fort Worth.
- Image Credit: Daniel King
Seasons
16th Season
Location
Fort Worth, TX
Steven Soph
Steve Soph Bio
Appearance sponsored by Peter and Sara Rutenberg
A “superb vocal soloist” (The Washington Post) noted for his “impressive clarity and color” (The New York Times), tenor Steven Soph has built a career defined by stylistic fluency, narrative clarity, and a deep commitment to concert repertoire. Spanning music from the Renaissance to the present, he has appeared at Carnegie Hall, Lincoln Center, Boston’s Symphony Hall, and the Kennedy Center.
Steven has been featured as a soloist with The Cleveland Orchestra, Seattle Symphony, Philharmonia Baroque Orchestra, and the American Classical Orchestra, among others. With The Cleveland Orchestra at Severance Hall, he performed Stravinsky’s Threni under Franz Welser-Möst, an all-Handel program with Ton Koopman, and Mozart’s Requiem under Patrick Dupré Quigley. He made his Carnegie Hall solo debut in Mozart’s Requiem and Dan Forrest’s Requiem for the Living, and has appeared at Alice Tully Hall in Bach’s Mass in B minor and Mendelssohn’s Psalm 41.
Known for “feathered intimacies to powerful, glinting top notes” (Dallas Morning News), Steven is a sought-after Evangelist in Bach’s St. Matthew Passion, St. John Passion, and Christmas Oratorio, appearing with ensembles including Apollo’s Fire, Oregon Bach Festival, Seraphic Fire, and Chicago Chorale.
His repertoire also includes Bach’s Mass in B minor, Handel’s Messiah, Haydn’s Creation, Beethoven’s Missa Solemnis, Berlioz’s Requiem, Britten’s War Requiem, and contemporary works by composers such as Stacy Garrop and Judith Weir.
An active ensemble artist, he collaborates regularly with True Concord Voices & Orchestra, Conspirare, Yale Choral Artists, Santa Fe Desert Chorale, Ensemble Altera, and others. Festival appearances include Utrecht Early Music Festival, Tage Alter Musik Regensburg, and Big Ears.
Steven holds degrees from the University of North Texas and Yale School of Music, where he studied at the Institute of Sacred Music.
- Website: www.stevensoph.com
- Image Credit: Steven Soph
Seasons
11th Season
Location
Philadelphia, PA
Elliott JG Encarnación
Elliott JG Encarnación Bio
- Michigan native Elliott JG Encarnación is a composer and conductor of choral and operatic repertoire. As a self-taught tenor, he has appeared as a soloist with The San Francisco Symphony, The California Bach Society, The Dessoff Choirs, The Long Island Symphony Choral Association, and Musica Sacra. He can be heard in choral contexts with premiere choral ensembles around the country, including the Santa Fe Desert Chorale, Voices of Ascension, San Francisco Opera, and has recorded under the Delos and Decca labels. He has served as Artistic Director for the Opera Theater Unlimited, Prodigal Opera Theatre, and Composer in Residence for the International Orange Chorale in San Francisco.
- Website: www.elliottencarnacion.com
- Image Credit: Adore Alexander
Seasons
4th Season
Location
San Francisco, CA
John Ramseyer
John Ramseyer Bio
Praised for his “hypnotically lyrical” voice (Parterre Box), New York City-based tenor John Ramseyer specializes in concert and chamber music, as well as opera, having collaborated with many of New York’s finest ensembles, including the Orchestra of St. Luke’s, the American Classical Orchestra, New York Baroque Incorporated, and Camerata New York. In May of 2023, John made his Carnegie Hall debut singing the tenor solos in Rachmaninoff’s All-Night Vigil with the Clarion Choir, led by Steven Fox. This performance follows the release of the Clarion Choir’s GRAMMY-nominated recording of the All-Night Vigil on the Pentatone label, for which he provided the tenor solos. The Arts Desk describes Ramseyer’s solos as “exquisite” and “ecstatic”. Other recent highlights include Rachmaninoff’s The Bells with the Baltimore Symphony Orchestra and the Cathedral Choral Society, an international tour of Handel’s Solomon with The English Concert and the Clarion Choir, led by Harry Bicket, and the world premiere of Trevor Weston’s American Lamentation alongside the Saint Thomas Choir of Men and Boys. John has performed with Musica Sacra, The Benedict Sixteen Choir, The Choir of Trinity Wall Street, The New Consort, Astoria Choir, St. George’s Choral Society, Forest Hills Choir, as well as the UK chamber choir, Vasari Singers, in a live-streamed celebration of the works of Marcel Dupré.
Well-versed in operatic repertoire spanning the eras, Mr. Ramseyer has performed leading roles with The Bronx Opera Company, Apotheosis Opera, Resonanz Opera, Christman Opera Company, The Midwest Institute of Opera, and LoftOpera. Ramseyer received a master’s degree in vocal performance from Mannes School of Music. Previous roles include Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Aeneas (Dido and Aeneas), Lysander (A Midsummer Night’s Dream), Fenton (Falstaff), Fenton (Sir John in Love), Bill (Flight), Laurence (Little Women), and L’Aumonier (Diaglogues of the Carmelites). John is also a member of the Metropolitan Opera Extra Chorus, performing in recent productions including Britten’s Peter Grimes, Wagner’s Der fliegende Holländer, and a concert of Brahms’ Ein Deutches Requiem at Carnegie Hall. He performed in the chorus on two of The Met’s most recent GRAMMY-nominated live recording albums: A Concert for Ukraine and Verdi’s Requiem: The Met Remembers 9/11.
Having been brought up with a tremendous passion for ensemble singing, Ramseyer is also privileged to be a Gentleman of the Choir at Saint Thomas Church Fifth Avenue, as part of the world-renowned Saint Thomas Choir of Men and Boys, under the musical direction of Dr. Jeremy Filsell. Boasting robust and eclectic concert seasons, the choir frequently collaborates with Orchestra of St. Luke’s, as well as New York Baroque Incorporated. In December 2023, the choir released an album of works by William Byrd, marking the 400th anniversary of his death. Additionally, Ramseyer is featured on another new album from the choir, No Small Wonder: Music for the Christmas Season. As a choral ensemble member, John has sung on a number of other recordings, including The Experiential Orchestra’s GRAMMY-winning recording of Dame Ethel Smyth’s masterpiece, The Prison, Poul Ruders’ premiere recording of his opera, The Thirteenth Child, as well as the premiere recording of Frank La Rocca’s Mass of the Americas, which landed at number ten on Billboard’s 2022 Traditional Classical Albums year-end chart.
Mr. Ramseyer also serves as Secretary on the Board of the Luciano Pavarotti Foundation.
Seasons
1st Season
Location
NYC, NY
Basses
James K. Bass
James Bass Bio
Appearance sponsored by Dr. Donald Shina and J. Kevin Waidmann
James K. Bass, GRAMMY® award winning conductor and singer, is Professor, Director of Choral Studies, and Chair of the Department of Music Performance, Education, and Composition at the Herb Alpert School of Music at UCLA. He is the Artistic Director of Seraphic Fire as well as the community based non-profit choral organization the Long Beach Camerata Singers.
Bass is an active soloist and ensemble artist. In 2017 he made his Cleveland Orchestra solo debut singing with Franz Welser-Möst in Miami and in Severance Hall, Cleveland. In 2020 he was awarded a GRAMMY in the category of Best Choral Performance for the Naxos recording of The Passion of Yeshua by Richard Danielpour on which he also served as Chorusmaster and vocal soloist with the Buffalo Philharmonic Orchestra. He was the featured baritone soloist on the GRAMMY nominated recording Pablo Neruda: The Poet Sings with conductor Craig Hella-Johnson and the GRAMMY winning ensemble Conpirare. He is one of 13 singers on the GRAMMY®-nominated disc A Seraphic Fire Christmas and appears on CD recordings on the Harmonia Mundi, Naxos, Albany, and Seraphic Fire Media labels. He most recently served as producer for the world premier recording of “Morgiane” by Edmond Dede’, the oldest known complete opera composed by a black American.
Bass was selected by the master conductor of the Amsterdam Baroque Soloists, Ton Koopman, to be one of only 20 singers for a presentation of Cantatas by J. S. Bach in Carnegie Hall. During the summer of 2011 he co-founded the Professional Choral Institute. In its inaugural year of recording, Seraphic Fire and PCI received the GRAMMY® nomination for Best Choral Performance for their recording of Johannes Brahms’ Ein Deutsches Requiem. In 2017 Seraphic Fire and UCLA launched a new educational initiative entitled the Ensemble Artist Program that aims to identify and train the next generation of high-level ensemble singers.
Image Credit: Kerry Travilla
Seasons
11th Season
Location
Long Beach, CA
John Buffett
John Buffett Bio
Appearance sponsored by Murray and Nancy Bern
Baritone John Buffett enjoys a versatile career lending his “warm tone and ringing top” (Salt Lake Tribune) to music from the early baroque through the 21st century. Highlights of his 23/24 season included solo engagements singing both Bach passions, BWV 182, and his Coffee Cantata, Scarlatti’s Il Primo Omicidio, Monteverdi’s
Vespers of 1610, Fauré’s and Duruflé’s Requiem and Handel’s Messiah with the Cal Poly Bach Festival, LA Master Chorale, UC Irvine, Long Beach Camerata, the New West Symphony, the Messiah Festival of the Arts, Musica Angelica, Tesserae Baroque, Bach Collegium San Diego, the Charlotte Bach Festival, and Seraphic Fire.
Buffett has been a featured soloist with the Pacific Symphony, the Utah, San Antonio, Winston-Salem, Flagstaff, and Syracuse Symphonies, the Mark Morris Dance Group, the Pacific Chorale, and the Rochester Philharmonic. He has also been a featured performer with many leading Early Music Ensembles including: Apollo’s Fire, Ars Lyrica, Bach Collegium San Diego, The Boston Early Music Festival, Con Gioia, The Charlotte Bach Academy, The Oregon Bach Festival, Musica Angelica and Tesserae Baroque. Also an accomplished Chamber musician, he regularly performs with some of America’s best choral ensembles like Seraphic Fire, The Santa Fe Desert Chorale, and the Los Angeles Master Chorale.
Solo appearances at the Tanglewood Music Festival, the Aspen Music Festival and the Mostly Mozart Festival at Lincoln Center highlight other important performances. Buffett, currently on voice faculty at CSU Long Beach, and recently for UCLA’s Herb Alpert School of Music and the Professional Choral Institute at the Aspen Music Festival, received bachelor’s and master’s degrees from the Eastman School of Music.
- Website: johnbuffett.com
- Image Credit: Siobhan Doherty
Seasons
12th Season
Location
Los Angeles, CA
Harrison Hintzsche
Harrison Hintzsche Bio
Appearance sponsored by Jeffrey Fort and Diane Locandro
Lauded for his “sonorous” voice (Opera News), American baritone Harrison Hintzsche is celebrated for his warm lyric tone, nuanced musicality, and profound dedication to text. His dynamic career spans oratorio, art song, and chamber music, where he thrives on the challenge of interpreting a diverse repertoire and bridging a living connection between author and audience.
Hintzsche’s passion for music has led him to perform on world-class stages such as London’s Wigmore Hall, New York City’s Weill Recital Hall and Alice Tully Hall, and Seoul’s National Theater of Korea. He has worked closely with several celebrated leaders in music, such as Nicolas McGegan, Masaaki Suzuki, Graham Johnson, and Jos van Veldhoven.
Recent performance highlights include Bach’s St. Matthew Passion with Kent Tritle at the Cathedral of St. John the Divine; Bach’s Magnificat with Jos van Veldhoven and the Oregon Bach Festival Chorus, as well as with Matthew Dirst and the Portland Baroque Orchestra; Bach’s bass solo cantatas Ich habe genug and Ich will den Kreuzstab gerne tragen with Philip Cave and Duke University; and Finzi’s In Terra Pax and Vaughan Williams’s Fantasia on Christmas Carols with the Choral Society of the Hamptons. He has recorded the bass arias in J. S. Bach’s St. John Passion, Easter Oratorio, Magnificat, and the soon-to-be-released St. Matthew Passion with Cantata Collective and conductor Nicholas McGegan, all released by AVIE Records.
A sought-after ensemble musician, Hintzsche has performed with some of the nation’s leading choral ensembles, including the Santa Fe Desert Chorale, Conspirare, Ensemble Altera, the Oregon Bach Festival Chorus, the Leonids, True Concord Voices & Orchestra, Yale Choral Artists, and the VocalEssence Ensemble Singers, among others. He holds degrees in music from Yale University and St. Olaf College. Hintzsche is currently based in Brooklyn, New York, and hails from DeKalb, Illinois.
Website: harrisonhintzsche.com
Image Credit: Matthew Fried
Seasons
4th Season
Location
Brooklyn, NY
Enrico Lagasca
Enrico Lagasca Bio
Appearance sponsored by Jim Murphy and Roxanne Howe-Murphy
Filipino-American bass-baritone Enrico Lagasca is a sought-after vocalist whose artistry resonates with audiences across the United States and internationally. With a repertoire spanning oratorio, opera, world premieres, and art song, his voice — described as one that “strikes fear of God in the hearts of the audience” — can be heard on six Grammy-nominated recordings. Gramophone praised his “warm bass voice,” spotlighting his recording of Mache dich, mein Herze, rein from Bach’s St. Matthew Passion.
Recent engagements include performances with the San Francisco, St. Louis, Nashville, Baltimore, and Toronto Symphony Orchestras, Tafelmusik, the American Classical Orchestra, Portland Baroque Orchestra, Experiential Orchestra, as a resident soloist at the 2023 Carmel Bach Festival, among others.
Enrico is a regular collaborator with leading ensembles including Santa Fe Desert Chorale, Bach Collegium San Diego, Ars Lyrica Houston, Conspirare, Skylark, Seraphic Fire, Trinity Wall Street, NOVUS NY, Voices of Ascension, Musica Sacra New York, Washington Bach Consort, the University Musical Society, and more.
Critics have hailed Enrico’s performances as “larger-than-life” and “elegant as they are moving.” His interpretation of Bach’s St. Matthew Passion at Saint Thomas Church in New York was described as “an outpouring of devotion and grief,” and his recent recording of the work was praised for its “completely convincing” clarity and beauty.
He has premiered pieces by Julia Wolfe, Jonathan Dove, David Lang, Jake Runestad, Alex Berko, Caroline Shaw, and Reena Esmail. He appeared in the U.S. premiere of Jonathan Dove’s The Monster in the Maze, where his performance was hailed as a “visceral force with vivid phrasing.”
Early operatic credits include Collatinus in Britten’s The Rape of Lucretia and Lorenzo in Bellini’s I Capuleti e i Montecchi. A devoted interpreter of song, Enrico was a finalist in the 2013 Das Lied International Song Competition in Berlin and the 24th International Vocal Arts Competition in Clermont-Ferrand, France, and participated in the inaugural SongStudio at Carnegie Hall led by Renée Fleming.
A passionate advocate for representation and social justice, he is a co-founding member of Kaleidoscope Vocal Ensemble, dedicated to community engagement and equity in the arts.
Born and raised in the Philippines, Enrico’s musical journey began with the world-renowned Philippine Madrigal Singers. Enrico studied at the University of the Philippines and Mannes College of Music and is based in New York City.
- Website: enricolagasca.com
- Image Credit: Curtis Brown
Seasons
10th Season
Location

Marques Jerrell Ruff
Marques Jerrell Ruff Bio
Appearance sponsored by Jeffrey Fort and Diane Locandro
Travel and transportation sponsored by Amy and John Petrila
Marques Jerrell Ruff is a dynamic bass-baritone, conductor, and music educator, internationally recognized for a voice praised as having “power, clarity, and brilliant shades of color” (The Hartford Courant) and described as “powerful, acrobatic, and full of soul” (GoldenPlec Magazine).
With a rich, resonant tone and wide-ranging versatility, he has appeared as a soloist with esteemed ensembles including the New World Symphony, Tallahassee Symphony Orchestra, Charlotte Symphony Orchestra & Master Chorale, Rogue Valley Symphony, and Hartford Symphony Orchestra. His repertoire spans classical masterworks to contemporary works, earning recognition for both technical command and expressive depth.
A sought-after collaborator, Ruff has worked with conductors such as Michael Tilson Thomas, André Thomas, Robert Moody, and Darko Butorac. He is also a member of premier professional choral ensembles including Santa Fe Desert Chorale, Seraphic Fire, Exigence Vocal Ensemble, and Conspirare. His performances have taken him to leading concert halls and festivals across the United States, including a recent Carnegie Hall debut conducted by Sir John Rutter.
Equally respected as a conductor, Ruff brings an expressive, nuanced approach to choral artistry and has appeared as a guest conductor with honor choirs and professional ensembles nationwide, including an invited guest conductor appearance at Blue Lake Fine Arts Camp.
A passionate educator, he serves as Associate Director of Choral Activities and Assistant Professor of Choral Music Education at Arkansas State University, where he conducts Scarlet Voices and United Voices.
Ruff earned his Bachelor of Arts from Central Connecticut State University where he studied Music Education and Voice Performance, Master of Music degrees in Choral Conducting and Voice Performance from the University of Missouri, and a Ph.D. in Music Education from Florida State University. He is active in several professional and service organizations.
- Image Credit: Darshae Spells
Seasons
8th Season
Location
Jonesboro, AR
Edmund Milly
Edmund Milly Bio
Appearance sponsored by Stephen Marquart and Audrey La Fehr
Bass-Baritone Edmund Milly is sought after for his “annunciatory power” (New York Times), “perfect diction” (Los Angeles Times), and distinctive “delicacy and personal warmth” (Boston Classical Review). The 24/25 season saw his solo debuts with the Baltimore Symphony (in Stravinsky’s Renard) and the Lancaster Symphony (in Handel’s Messiah). Other recent solo engagements include Britten’s War Requiem with the Yale Symphony, Bach’s St. Matthew Passion with the Washington Bach Consort, Haydn’s Creation with Princeton Pro Musica, and Vaughan Williams’ Five Mystical Songs with the Baltimore Choral Arts Society. In 2024 he was nominated for a GRAMMY award as a soloist on Benedict Sheehan’s Akathist.
Edmund’s education began with cello lessons at age 3 and continued at the American Boychoir School, where he became steeped in the concert repertoire while singing under conductors such as Seiji Ozawa, Kurt Masur, Sir John Eliot Gardiner, and André Previn. Edmund holds degrees from McGill University and the Yale Institute of Sacred Music, where he studied with James Taylor.
Since his Lincoln Center debut as Jesus in Bach’s St. John Passion with Yale Schola Cantorum led by Masaaki Suzuki, Edmund has been frequently engaged as a soloist in Bach’s Passion settings, with performances at the Oregon Bach Festival, Bach Akademie Charlotte, Trinity Wall Street, and the Staunton Music Festival. He has also performed over 100 of Bach’s cantatas. Edmund “stole the show” (Seen and Heard International) in his Bachfest Leipzig debut in 2024, and cherishes his work with many of the organizations around the country committed to bringing Bach’s music to life, including the Bach Choir of Bethlehem, Gamut Bach Ensemble, and Cantata Collective.
A veteran of the U.S. Army Band “Pershing’s Own,” Edmund has been a soloist at the White House, the Pentagon, and the U.S. Supreme Court. His recorded work includes solo credits on the BBC and CBC, and appearances on several GRAMMY-nominated albums. Edmund often performs alongside his wife, mezzo-soprano Sylvia Leith, including in their work with the Polyphonists, a vocal quartet they co-founded which recently made its Lincoln Center debut in Richard Einhorn’s Voices of Light. For a full calendar of upcoming performances, see www.edmundmilly.com.
Website: edmundmilly.com
Image Credit: Britt Olsen-Ecker
Seasons
3rd Season
Location
Baltimore, MD
Glenn Miller
Glenn Miller Bio
Appearance sponsored by Diane and Bill Graves
Basso-profundo Glenn Miller is a resident of Michigan and has regularly performed, toured, and recorded with leading professional choral ensembles throughout the United States and Europe, including Clarion, Conspirare, Cappella Romana, the St Tikhon’s Chamber Choir, the Patriarch Tikhon Choir, Skylark, the Choir of St Thomas Fifth Avenue, Audivi, the Yale Choral Artists, the Robert Shaw Festival Singers, and The Thirteen.
He is especially known for his performances of Russian liturgical choral repertoire which began with singing and recording the Rachmaninoff Vespers as a member of the Robert Shaw Festival Singers. To date he has performed this work over 100 times and has made five recordings of the work, most recently in the all-male version recorded in Jerusalem by the international Patriarch Tikhon Choir. He was the featured soloist on Conspirare’s recording, “The Sacred Spirit of Russia,” which was awarded a Grammy in 2014 for best choral recording, performing Chesnokov’s “Do not cast me off in my old age,” a choral concerto for basso profundo.
A review of his performance of the Vespers with Clarion at Carnegie Hall:
The fifth movement was the composer’s favorite and he requested that it be performed at his funeral. It proved impossible, however, to assemble a choir capable of doing the music justice on that occasion – likely due to the lack of basses able to sing the descending scale that ends on a low B-flat at the conclusion of the piece. Glenn Miller however is one such bass. The basso profundo’s imposing voice was first heard at the very beginning of the concert but “Now lettest thou thy servant depart” afforded the opportunity to savor its true grandeur. It was not only Miller’s cavernous sound that impressed, but the depth of emotion and spaciousness that he brought to enrich the chorus’ sound. (New York Classical Review)
Seasons
4th Season
Location
Birmingham, MI
Neil Netherly
Neil Netherly Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
Neil Netherly, Bass-Baritone, has appeared as a soloist in various performance venues around the NYC area and abroad. Most recently, Mr Netherly completed a successful tour of Handel’s Hercules as a member of the Clarion Choir in collaboration with The English Concert Orchestra, under the baton of Harry Bicket. This third collaboration between these two critically acclaimed ensembles took the group from Berkeley, CA, Hanover, NH, Omaha, NE, to Carnegie Hall in NYC and back to London where the final performance was at Saint Martin-In-The-Fields Church.
As a soloist, Mr Netherly’s most recent performances have been with Novus Orchestra and Downtown Voices in the world premiere of Stephen Main’s The Image, where he performed The Voice of Fear.
Other recent solo and pro-ensemble appearances include Bass soloist with The Sound Between ensemble, in Rautavaara’s Vigilia in the fall of 2025. Earlier the spring of 2025, Mr. Netherly was invited to perform at the ACDA National Convention where he performed with The Santa Fe Desert Chorale, in two riveting performances of The American Immigrant Experience Concert, in Dallas, TX.
Most notable past performances include being one of the soloists in Benedict Sheehan’s, Grammy Nominated Oratorio, Akathist, at Trinity Church NYC. In addition to solo performances, Mr Netherly has performed, recorded and toured with multiple Grammy nominated ensembles such as Skylark, Clarion and Roomful of Teeth.
A graduate of Louisiana State University, Mr. Netherly studied Vocal Performance under the artistic direction of world renowned Soprano Martina Arroyo. While studying at LSU, Mr. Netherly sang in the master classes of world renowned artists, Shirley Verret and Mignon Dunn. After graduating from LSU, Mr. Netherly continued his vocal studies as a Post graduate at Indiana University, under the tutelage of world renowned Bass-Baritone Giorgio Tozzi.
Seasons
2nd Season
Location
NYC, NY
John E. Orduña
John E. Orduña Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
John E. Orduña is noted as a singer of great versatility, impressing with a voice “rich and powerful top to bottom” (Peninsula Reviews) in repertoire that spans the sacred oratorios of Bach and Handel, to comic roles by Prokofiev and Verdi. In recent seasons, Orduña has performed with Kaleidoscope Vocal Ensemble, Santa Fe Desert Chorale, Evergreen Ensemble, Grant Park Music Festival, New Earth Ensemble, Bloomington Early Music Festival, and the Artefact Ensemble. Soloist engagements include the Omaha Symphony, the Grant Park Music Festival, the Tallahassee Symphony, and the Richmond Symphony. John has also been seen on the operatic stages of Washington National Opera, Opera Omaha, Opera Columbus, Glimmerglass Opera, Santa Fe Opera, Sarasota Opera, and North Carolina Opera. He holds degrees and certificates from the Oberlin Conservatory of Music, the Florida State University School of Music, and the Indiana University Jacobs School of Music.
In addition to his performing career, Orduña actively serves the singing community, offstage, as a union representative for the American Guild of Musical Artists (AGMA), as well as a consultant to several artistic organizations comprised of both student and professional artists. In his position with AGMA he has been involved with major collective bargaining agreement negotiations with management at numerous shops, representing hundreds of the finest working musicians in the United States and takes great joy in doing so.
- Photo Credit: Andrew Morstein
Seasons
3rd Season
Location
Ourense, ES
Guest Artists
Nathan Salazar
Piano
Nathan Salazar Bio
Appearance sponsored by Diane and Bill Graves
Nathan Salazar is a native of Santa Fe, New Mexico, and holds a Master’s degree in collaborative piano from the University of Michigan where he studied with Martin Katz. He received his vocal and piano performance degrees from the University of Kansas, where he studied with Julia Broxholm and Jack Winerock respectively. Salazar has performed in England, Scotland, Italy, Russia, and in major performance venues throughout the United States, including Hill Auditorium in Ann Arbor, Michigan, the John F. Kennedy Center in Washington D.C., Boston’s Symphony Hall, and Carnegie Hall in New York City.
He performed in the International Festival of Spanish and Latin American Music with renowned mezzo-soprano Teresa Berganza, received a fellowship to Songfest in Los Angeles where he studied with pianists Margo Garrett and Graham Johnson, composers Jake Heggie, John Musto, Libby Larsen, and William Bolcom, and was also invited to be part of Marilyn Horne’s 80th birthday celebration at Carnegie Hall, where he worked with Ms. Horne, Martin Katz, and the legendary Christa Ludwig. Salazar has worked with such singers and teachers as Julia Faulkner, Maria Zifchak, Stephen King, Susanne Mentzer, Luis Ledesma, Wolfgang Brendel, Joyce Castle, Neil Shicoff, Stanford Olsen, Caroline Worra, George Shirley, Angela Meade, Jennifer Johnson Cano, Cecilia Violetta Lopez, Kelly Kaduce, Jonathan Burton, Stephen Powell, Edward Parks, Michael Fabiano, and Susan Graham. He has worked and performed with Skylark Vocal Ensemble, the Santa Fe Desert Chorale, the Santa Fe Opera, Opera Colorado, The Handel and Haydn Society, The Boston Symphony, and the Boston Lyric Opera, where he worked on the company’s monumental 2019 production of Poul Ruders’ The Handmaid’s Tale, and Bellini’s Norma.
Recently, Salazar performed with soprano Cecilia Violetta Lopez in recital for Austin Opera, Opera Idaho, Opera Orlando, Opera Las Vegas, Opera Southwest, Opera America, Madison Opera, and Opera Colorado, where he now serves as Principal Repertoire Coach. Nathan was coach and pianist for Opera Colorado’s production of Moravec and Campbell’s The Shining, as well as Rigoletto and Korngold’s rarely performed masterpiece, Die tote Stadt.
Up next, Salazar will make his company debuts at San Francisco Opera and Los Angeles Opera in Gabriela Lena Frank’s El Ultimo Sueño de Frida y Diego.
Salazar has also served as a voice faculty member at the Boston Conservatory at Berklee. Nathan is currently based in Santa Fe, where he enjoys taking care of a giant bernadoodle and several chickens and goats.
- Image Credit: Evangeline Hodge
Incantare
Early Music Ensemble
Incantare Bio
Appearance sponsored by Richard and Chris Frenk
Incantare’s concerts highlight the musical and cultural connections of under-explored musicians from the Renaissance and early Baroque periods, especially music by composers, singers, and instrumentalists from marginalized communities in early modern Europe. Incantare’s unique programs reflect a mission to discover, research, transcribe, and perform works that may not have been heard since their conception.
Incantare debuted to enthusiastic crowds at the 2018 Twin Cities Early Music Festival, where they were chosen as one of “the week’s five best Twin Cities classical concerts” by the Star Tribune. Since then, they have performed programs throughout the United States. Appearances among many include Pittsburgh’s Renaissance and Baroque series with Chatham Baroque, the Housewright Virtuoso Series in Tallahassee, the Madison Early Music Festival, and the International Trombone Festival, where they were praised for their “beautiful and cohesive sound.” Incantare’s EXILE program, currently touring throughout the U.S., was recognized as an “innovative project” by the Paul R. Judy Center for Innovation and Research, and EMAg, the Magazine of Early Music America, reported that audiences have left the ensemble’s concerts “with a sense of awe.”
The consort of sackbuts and violins has a long history and a unique sound that incorporates the vocal qualities of both instruments while retaining each of their distinct timbres, making it the perfect medium for performing the beautiful works from the Renaissance and early Baroque periods. The name “Incantare,” a play on words that means “to enchant” in Italian and “to sing” in Latin, links directly to the ensemble’s mission as early instrumentalists. Incantare seeks to enchant, charm, hypnotize, and spellbind by singing through their instruments.

Ben David Aronson
Trombone
Ben David Aronson Bio
Chicago-based historical trombonist Ben David Aronson performs across the United States as a founding member of the period chamber ensemble Incantare, and has worked with such leading historical performance ensembles as Pegasus Early Music, Publick Musick, Piffaro, Dark Horse Consort, Tafelmusik, TENET, the Choir of Trinity Wall Street, Opera Lafayette, Atlanta Baroque, and the Washington National Cathedral Choir & Baroque Orchestra. With Incantare, Ben David has traveled widely to appear in numerous concert series, university programs, and festivals, including with The Newberry Consort where he assumed the role of Executive Director in 2024. In traditional classical music settings, Ben David has also worked with the Erie Philharmonic, Symphoria, Rochester Philharmonic and Buffalo Philharmonic orchestras, and has recorded and toured internationally as a founding member of the Hohenfels Trombone Quartet.

Cynthia Keiko Black
Violin & Viola
Cynthia Keiko Black Bio
Born in Dallas, Texas, violinist and violist Cynthia Keiko Black grew up surrounded by music, playing piano at home with her mother and singing in church. While her musical interests span a wide range of styles, she is especially drawn to Renaissance and early Baroque repertoire. Cynthia is a member of Incantare, an ensemble of violins and sackbuts dedicated to bringing to life the lesser-known stories of our past through music. In addition to her performing career, she maintains a thriving teaching studio at the Crowden School and serves on the faculties of UC Berkeley and the San Francisco Conservatory of Music, where she teaches Baroque violin and viola.
She earned her Doctorate in Historical Performance Practice from Case Western Reserve University, studying with Julie Andrijeski, and holds modern viola degrees from the Cleveland Institute of Music. When she’s not performing or teaching, Cynthia enjoys cooking, watercolor painting, and tending to her vegetable garden at home in Richmond, California, where she lives with her trumpet-playing and harpsichord-building husband, Dominic Favia, and their young daughter Erika.

Alice Culin-Ellison
Violin
Alice Culin-Ellison Bio
Alice Culin-Ellison is a versatile performer specializing in historical performance, with a particular interest in performing music of the late 16th and early 17th centuries. She is a founding member of Incantare, an ensemble of violins and sackbuts dedicated to exploring the musical and cultural connections of underrepresented musicians and traditions. Alice maintains an active performing career with leading ensembles nationwide and held the position of Artistic Director of Bourbon Baroque from 2017 to 2022. Originally from Louisville, Kentucky, she is deeply committed to education and scholarship; some of her research focuses on 19th-century American chamber music, with particular attention to music in Kentucky, and she has lectured and given masterclasses on historical performance practice throughout the U.S. She earned her Doctorate in Historical Performance from Case Western Reserve University and also holds degrees from the University of Michigan and Indiana University. She now resides in the Portland, Oregon area, and when not performing, is an avid adventurer and outdoorswoman.
Photography Credit: Nerissa Sparkman

Garrett Lahr
Sackbut & Trombone
Garrett Lahr Bio
Minnesota-based musician Garrett Lahr is a historical brass specialist focusing on sackbut and other historical trombones. He regularly performs with many leading period instrument ensembles across North America and is a founding member of Incantare. Recent engagements have included performances with Newberry Consort, Tafelmusik, Opera Atelier, Opera Lafayette, Boston Baroque, and Pegasus Early Music, among many others. Garrett’s sackbut playing can be heard on the ATMA and Naxos labels. Away from the concert stage, Garrett can either be found at the golf course or spending time with his lovely wife Brita and mostly-adorable dog Winston.

Liza Malamut
Trombone
Liza Malamut Bio
Liza Malamut is a founding member of Incantare and artistic director of The Newberry Consort. She regularly appears with period-instrument ensembles throughout North America and beyond, and her playing can be heard on the Musica Omnia, Naxos, Hyperion, New Focus Recordings, and George Blood Audio labels. A passionate teacher and researcher, Liza’s publications include the co-edited volume Music and Jewish Culture in Early Modern Italy: New Perspectives with Rebecca Cypess and Lynette Bowring (Indiana University Press), and the article “Europa Rossi: A Question of Identity,” in Min-Ad: Israel Studies in Musicology. She holds a Bachelor of Music degree in Trombone Performance from Eastman School of Music and a Master of Music degree from Boston University, and she earned her Doctor of Musical Arts degree in Historical Performance from Boston University. Her dissertation, a method book for modern trombonists, integrates historical techniques with mainstream playing and introduces eighty-eight solo etudes for trombone. She currently teaches historical trombone at Indiana University and directs the Early Music Ensemble at University of Chicago. When not engaged in musical pursuits, Liza enjoys running, hiking, baking, gardening, a good book, and all things outdoors.
Website: www.lizamalamut.com
David Felberg
Violin
David Felberg Bio
Appearance sponsored by Sheryl Kelsey and George Duncan
Praised by The Santa Fe New Mexican for his “fluid phrases, rich focused tone, rhythmic precision, and spot-on intonation,” Violinist David Felberg, an Albuquerque native, is the Co-founder and artistic director of Chatter, a groundbreaking series exploring both new and old music, and producing and presenting over 130 performances per year. David plays in, and conducts, many of the shows—often presenting twentieth- and twenty-first-century pieces of music that have never before been heard in New Mexico. Chatter was recently mentioned in The New York Times in an article about curated silence, one of the main features of their performances. David is also Concertmaster of The Santa Fe Symphony, and performs with Santa Fe Pro Musica. He has been featured soloist with The Santa Fe Symphony Orchestra, New Mexico Philharmonic, New Mexico Symphony, Albuquerque Philharmonic, Los Alamos Symphony, Palo Alto Philharmonic, Balcones Orchestra, and the Chatter Orchestra. He has performed recitals and chamber music, all over New Mexico and the Southwest, and most recently has performed at the Oregon Bach Festival. David also specializes in contemporary solo violin music, having performed solo works of Berio, Boulez, Sciarrino, John Zorn, and Luigi Nono.
As a conductor, he has directed Santa Fe Pro Musica, New Mexico Philharmonic, The Santa Fe Symphony and Chatter, and has collaborated with such soloists as Anne-Marie McDermott, Rachel Barton Pine, Conor Hanick, and Benjamin Hochman. David, made his New York violin recital debut in Merkin Concert Hall in the spring of 2005. He received a Bachelor of Arts degree, in History, from the University of Arizona and a Master of Music degree in Conducting from the University of New Mexico, and has taken advanced string quartet studies at the University of Colorado with the Takacs Quartet. David has also attended the prestigious American Academy of Conducting at the Aspen Music Festival.
Amy Huzjak
Cello
Amy Huzjak Bio
Appearance sponsored by Barbara and Rod Slaton
Cellist Amy Huzjak lives in Albuquerque, NM and serves as Principal Cellist of the New Mexico Philharmonic. She also freelances throughout New Mexico and West Texas, and collaborates with other area organizations including Chatter ABQ, Santa Fe ProMusica, Opera Southwest, Santa Fe Desert Chorale, Santa Fe Chamber Music Festival, and the Santa Fe Symphony and Chorus. She is a founding member of Chaski Quartet, recently on tour in Colorado and New Mexico June 2026.
Previously, Amy played with the Abilene Philharmonic and served as the
Principal Cellist of the Midland-Odessa Symphony and Chorale (MOSC) for over a decade. An avid chamber musician, Amy was the cellist for the MOSC resident ensemble Permian Basin String Quartet (PBSQ) during her tenure as Principal Cellist, performing concerts and educational outreach throughout West Texas.
Before moving to Texas, Amy was the Principal Cellist of the Huntington (WV) Symphony Orchestra and played with several D.C area orchestras including the Fairfax (VA) Symphony Orchestra, Apollo Chamber Orchestra (MD), and the Prince William (VA) Symphony. She was a faculty member at the International School of Music in Bethesda, MD and had a private studio in College Park, MD.
A committed educator, Amy is a member of the Suzuki Association of the Americas and has a studio of over 30 students. She is sought after as a clinician and coach for middle and high school orchestras and chamber programs in New Mexico. Previous posts include Adjunct Professor at University of Texas-Permian Basin, Angelo State University, & University of New Mexico.
Amy’s mentors include David Teie, Thomas Landschoot, and Jenny Yopp. She holds MM in cello performance from University of Maryland and a BM Summa Cum Laude from Arizona State University.
When not playing, Amy loves hiking and skiing in her native Colorado and travels around the world to hike with her dad. She is looking forward to exploring the Sandias and skiing in New Mexico.
Image Credit: Shea Perry
Richard Savino
Theorbo
Richard Savino Bio
Appearance sponsored by Gregory Dove
Director Richard Savino has an extensive discography of over 35 commercial recordings of music ranging from the early 17th century through virtuoso music of Niccolò Paganini and Johann Kaspar Mertz. Contained within these are the only recordings of Mauro Giuliani’s Op. 30 Concerto for Guitar and Orchestra and Boccherini’s Symphonia a grandé orchestra con chitarra with the original orchestrations, and no cuts on a period instrument. He is also the recipient of a Diapason d’Or from Compact and a 10 du Rèpertoire. The latter has also placed his Boccherini recordings in their “Great Discoveries” category, which they deem as essential to any classical music collection. In addition to his 2012 GRAMMY nomination he was also a principal instrumentalist on the Ars Lyrica 2011 GRAMMY nominated cd of Hasse’s Anthony and Cleopatra. Additional recordings include Venice Before Vivaldi, a Portrait of Giovanni Legrenzi, Villancicos y Cantadas (sacred music from Spain and Latin America), Sebastian Duron’s zarzuela Salir el Amor del Mundo (1696), romantic solo guitar music of Johann Kaspar Mertz, virtuoso sonatas by Paganini and Giuliani with violinist Monica Huggett, an extensive collection of 18th century guitar music from Mexico by Santiago de Murcia (4 Stars: Goldberg), The Essential Giuliani Vols. 1 & 2 (4 cds Koch), Op. 21 Solo Sonatas by Ferdinando Carulli, Baroque Guitar Sonatas (1696) of Ludovico Roncalli (Dorian), the first period instrument versions of the Boccherini Guitar Symphonia and the Op. 30 Concerto for Guitar by Mauro Giuliani and three additional recordings of music by Barabara Strozzi (Emanuella Galli, mezzo soprano), Biagio Marini (with Monica Huggett) and Giovanni Buonamente (with Monica Huggett and Bruce Dickey) and Ensemble Galatea. He has been a featured guest on numerous national and international television and radio programs such as NPR, PBS and CBC and CBS, and has been chosen three times as the Global Hit on the Public Radio International/BBC program The World most recently in 2016 to celebrate the release of his cd What Artemisia Heard, Music from the Time of Caravaggio and Gentileschi. This cd surveys the life of the great 17th century painter Artemisia Gentileschi through music. Mr. Savino has toured and recorded with some of the world’s most important performers including Joyce Di Donato, Monica Huggett, Stephanie Chase, Chanticleer, and Paul Hillier. And as a continuo player has performed as principal with groups such as the Houston Grand Opera, San Francisco Symphony, Los Angeles Opera, West Edge Opera, Santa Fe Opera, San Diego Opera, Opera Colorado, Dallas Opera and Glimmerglass Opera. He has also guest directed the Aston Magna Music Festival, Santa Fe Chamber Music Festival, Ensemble Rebel and Milano Classical Chamber Orchestra. From 1986-98 Mr. Savino directed the CSU Summer Arts Guitar and Lute Institute. Presently he is director of the ensemble El Mundo.
He has also created concert programs and cds on the lives of Francisco Goya and Peter Paul Rubens. In 2017-18 he created 25 soundtracks to accompany videos describing the world’s largest collection of privately held Rembrandts, the only private Vermeer and dozens of additional paintings by other great Dutch masters for the Leiden Collection in New York. These videos have recently been shown at the Louvre in Paris and the national museums in Beijing, Shanghai and Abu Dhabi. These can be heard/seen at: https://www.theleidencollection.com/videos.
An avid writer and music researcher, Mr. Savino has composed all of his cd notes and had articles and editions published by Cambridge University Press, Editions Chantarelle, Indiana University Press, Guitar Foundation of America, and Gendai Guitar. In 2017 he discovered an important collection of early 18th century Spanish secular cantadas that he is editing and will record during the next year. He is a founding member of the Consortium for Early Guitar Studies at Cambridge University, Professor of Music at the San Francisco Conservatory of Music and a full Professor at Sacramento State University where he has been the only music professor to receive “outstanding and exceptional” and “best” sabbatical awards. Mr. Savino instructors have included Andres Segovia, Oscar Ghiglia, Eliot Fisk, Albert Fuller and Jerry Willard. He received his Doctorate from SUNY at Stony Brook.
Maxine Thévenot
Organ
Maxine Thévenot Bio
Appearance sponsored by Bill and Susan Cammock
Award-winning Canadian-American musician Maxine Thévenot is a distinguished organist, conductor, and composer celebrated for her imaginative programming and commitment to musical representation. Canon Dr. Thévenot serves as the Director of Cathedral Music and Organist at the Episcopal Cathedral of St. John in Albuquerque, where she oversees an internationally recognized choral program in the Anglican Choral tradition. Additionally, she is the Founding and Artistic Director of the professional ensemble Polyphony: Voices of New Mexico and serves as the Alumni Chapel Organist at the University of New Mexico.
Thévenot’s career includes solo recitals across Great Britain, Europe, and North America, as well as 19 acclaimed recordings on the RavenCD label. Her artistry as both a conductor and performer earned high praise from GRAMOPHONE magazine in their recent review of the 2025 release, A Blaze of Song, “The solo organ pieces…played with seamless authority by Thévenot.” “[The Cathedral Choirs] have been expertly trained in their art. They phrase with fine unanimity, achieve lucid balances and savour the words, in whatever language propels the music’s messages.”
A published composer with Paraclete Press, Maxine made her Carnegie Hall conducting début in June 2026, leading the New England Symphonic Ensemble and a large chorus in Maurice Duruflé’s Requiem.
A native of Saskatchewan, Dr. Thévenot earned her Bachelor’s degree from the University of Saskatchewan and her Master’s and Doctorate from the Manhattan School of Music, where she was twice honored with the Bronson Ragan award for outstanding organ performance. An Associate of the Royal Canadian College of Organists, she was also named an Honorary Fellow of the National College of Music, London, in recognition of her global services to music.
Image Credit: Brooke Bailey Portraits
Commissioned Composers
Shawn Kirchner
Shawn Kirchner Bio
Shawn Kirchner is a composer, arranger, and songwriter based in Los Angeles whose choral works are performed throughout the world. His long creative relationship with the Los Angeles Master Chorale and Artistic Director Grant Gershon culminated in his tenure as the ensemble’s Swan Family Composer in Residence from 2012-2015. Equally active as a performer, Kirchner has sung twenty seasons as a tenor with the Los Angeles Master Chorale and the Los Angeles Philharmonic in concerts featuring the world’s leading conductors, composers, and soloists. As a pianist, Kirchner appears throughout the country in performances of his music with collaborating choirs and is celebrated for his wide stylistic range, improvisation, and musicianship.
Kirchner’s composing commissions have included numerous premieres with the Los Angeles Master Chorale at LA’s Disney Hall, as well as writing for Conspirare, San Antonio Chamber Choir, Atlanta Master Chorale, Fort Worth Chorale, Lorelei Ensemble, Tonality, Princeton Chapel Choir, Rockefeller Chapel Choir, Golden Bridge, Choral Arts Northwest, and WomenSing. His work has been performed by such acclaimed international choirs as Ansan City Choir (Rep. of Korea), Elektra Women’s Choir, the Vancouver Youth Choir, Montreal’s Church of St. Andrew and St. Paul for the CBC’s Christmas Sing-In broadcast, and by the Nairobi Chamber Choir for Her Majesty Queen Elizabeth II’s 2012 Diamond Jubilee Pageant events at Windsor Castle. Kirchner’s music can be heard on recordings by the LA Master Chorale, the Santa Fe Desert Chorale, Tonality, Oasis Chorale, Wartburg Choir, and Sacra/Profana, and his publishers are Boosey & Hawkes, Oxford University Press, Santa Barbara Music Publishing, and Shawn Kirchner Publishing.
Kirchner’s music finds a middle ground between classical choral and instrumental traditions and the inheritance of the folk, carol, and hymn traditions. He is best-known worldwide for his lively, contrapuntal setting of the Kenyan song Wana Baraka, which went flashmob viral on YouTube, and for Heavenly Home: Three American Songs, praised by the LA Times as “arranged with mastery.” His reimagined America the Beautiful was spotlighted in the New York Times piece “Five Minutes That Will Make You Love Choral Music.” He has also written imaginative choral cycles on the poetry of Pablo Neruda (Sonetos de Amor), Sylvia Plath (Plath Songs), Gerard Manley Hopkins (Inscapes), William Blake (Songs of Innocence), and the Psalms (Songs of Ascent.) Kirchner’s most recent concert-length work is the Solstice oratorio The Light of Hope Returning, featuring the texts of British-American novelist Susan Cooper, known for her award-winning Dark is Rising sequence. His original songwriting ranges in style from jazz and gospel to folk and bluegrass, the latter featured on his CD Meet Me on the Mountain.
As a singer since 2001 with the LA Master Chorale under Grant Gershon, Kirchner has sung the full span of the Western choral tradition, featured as a soloist on Sederunt principes of Pérotin (c. 1199) as well as in contemporary works of Meredith Monk and Arvo Pärt. He has sung in hundreds of performances with the Music Directors of the LA Philharmonic, Gustavo Dudamel, Esa-Pekka Salonen, and Zubin Mehta. Career highlights include a post-encore choral/piano chamber music concert with András Schiff, and touring John Adams’ Gospel According to the Other Mary with the LA Phil. Kirchner has sung on LA Master Chorale’s recordings of the music of Steve Reich, Philip Glass, David Lang, Henryk Górecki, and Nico Muhly, and also sang countertenor in LAMC’s multi-year touring production of Orlando di Lasso’s Lagrime di San Pietro. This ground-breaking, fully staged version of the Renaissance masterpiece directed by Peter Sellars was featured at the Salzburg Festival and around the world in Melbourne, Auckland, London, Mexico City, and at Cité de la Musique in Paris. As a session singer, Kirchner has sung on four dozen feature film soundtracks including Avatar, La La Land, The Lorax, and Frozen.
Raised with his triplet brother and sister in Cedar Falls, Iowa, Kirchner’s musicianship was shaped through intensive piano study with Joan Smalley and George Katz, as well as at church where he accompanied the choir and played organ. He has continued to be a church musician alongside his other musical pursuits, providing local and national music leadership for the Church of the Brethren (a historic peace church.) Kirchner’s principal creative mentor is the banjo-playing poet Steve Kinzie, with much owed as well to the trail blazed by American choral matriarch Alice Parker. Kirchner earned a BA in Peace Studies (Manchester University) and an MA in Choral Conducting (University of Iowa) where his teachers included William Hatcher, Richard Bloesch, and Donald Jenni. Kirchner’s outside interests include organic gardening, foreign languages, J.R.R. Tolkien, and the Enneagram. He also works with Dr. Lucy Jones in the Tempo: Music for Climate Action leadership group, and serves on the board of Tonality, an innovative and dynamic choir committed to presenting concerts that reflect current struggles for social justice and environmental care, founded by Alexander Lloyd Blake.
- Website: www.shawnkirchner.com
Shavon Lloyd
Shavon Lloyd Bio
Sponsored by Santa Fe Desert Chorale Commissioning Club
Shavon Lloyd (b. 1997) is an award-winning composer, baritone, conductor, and music educator. As a young musician, Shavon has already had the opportunity to perform for a wide variety of audiences and compose for numerous ensembles from K-12 to professional groups.
From Middletown, NY, Lloyd began his journey as a dedicated musician in 2014 when he won his first composition contest at the age of 17. His piece, “Untitled”, was selected as the grand prize winner of the Manhattan Choral Ensemble’s “New Music for New York” composition contest. After that moment, Lloyd solidified his decision in studying music at The Crane School of Music at SUNY Potsdam. Here he continued his compositional journey under the tutelage of Dr. David Heuser, winning a second contest in Washington, D.C. for his choral piece, “So Breaks the Sun”, which was premiered by the 18th Street Singers in July of 2018. Since then Lloyd, has been commissioned for works at the K-12 levels, collegiate choral programs, and established professional concert choirs. Recently, Shavon won a third composition contest in July 2019, sponsored by the Orpheus Chamber Singers in Dallas, Texas. In March 2020, the group premiered his work for double choir, “Alleluia”. Since then, Lloyd has been commissioned by such groups as Cappella Festiva and The ABC Bel Canto Choir.
Shavon is an active participant in the New York State School Music Association (NYSSMA), contributing to both the Belonging, Equity, Diversity, and Representation (BEDR) Committee, and the Composition Committee. Regarding music education, his interests include student-centered learning through democracy and creativity in the music classroom. For the past three years, he has put this mindset into practice as the Vocal/General Music Teacher at Indian River High School in Philadelphia, NY.
As a baritone, Shavon has had the opportunity to perform alongside Patti LuPone, Lisa Vroman, Canadian Brass, and other professional soloists and ensembles. While studying with Dr. Lonel Woods, he became a 2-time winner of the CFLNY-NATS Singing Competition, and featured soloist throughout New York. At Crane, he had the pleasure of soloing in Vaughan Williams’ Serenade to Music and Mozart’s Mass in C minor under the baton of Maestros Duain Wolfe and Kent Tritle, respectively. In May 2020, Shavon won the Classical Singer Musical Theatre Competition for Pre-Professionals with his performance of “Soliloquy” from Rodgers and Hammerstein’s Carousel. Lloyd is currently pursuing his Master of Music in Vocal Performance degree at The Juilliard School in New York City. Here, he has performed in multiple productions, including Händel’s “Atalanta” (Nicandro – cover), Purcell’s “King Arthur” (Grimbald/Cold Genius), and Puccini’s “Gianni Schicchi” (Betto). Lloyd was recently selected to be a Gerdine Young Artist for The Opera Theatre of Saint Louis in 2023. He will be performing in Puccini’s “Tosca” (Sacristan cover). He will also make his professional debut as Simon in an all-black production of Joplin’s “Treemonisha”, including a world premiere of Damien Sneed and Karen Chilton’s prologue and epilogue detailing moments Joplin’s life.
- Website: www.shavonlloyd.com
- Image Credit: Paul Mardy
Moira Smiley
Moira Smiley Bio
Commission and Residency underwritten by Susan Esco Chandler and Alfred D. Chandler
An active composer and performer, Moira has written commissions for the LA Master Chorale, Conspirare, Mirabai, Stile Antico, American Choral Directors Association, Santa Fe Desert Chorale, VocalEssence, Pacific Chorale, NOTUS, National Concerts and countless others. Her arrangements and original compositions for choir – especially those with her signature body percussion – are performed by millions of singers around the world. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier. Moira‘s recent albums and choral songbook, Unzip The Horizon and In Our Voices were companions to her Voice Is A Traveler solo show. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums. Her most recent premieres include Who We Are at Carnegie Hall; her secular liturgy, The Song Among Us at Cincinnati’s Memorial Hall and Sing The World Awake at Ordway Concert Hall. Her newest touring project, Roots To Sky grows from her album of folksongs with string quartet, ‘The Rhizome Project’, accompanied by her book, The Song Rhizome.
- Website: www.moirasmiley.com
- YouTube: @MoiraSmileyMusic
- Image Credit: Fiona Small
Leadership
Joshua Habermann, D.M.A.
Artistic Director
Joshua Habermann is in his eighteenth season as Artistic Director of the Santa Fe Desert Chorale, one of the nation’s premiere professional chamber choirs. Since joining the ensemble, he has broadened its repertoire to include choral-orchestral masterworks and unique concert experiences ranging from early music to new commissions. Under his leadership, the Desert Chorale has been featured at regional and national conferences of the American Choral Directors Association, and its summer and winter festivals are among America’s largest choral events.
Habermann’s experience with symphonic choruses spans over three decades, encompassing the full range of the choral-orchestral repertoire. From 2011 to 2022 he was director of the Dallas Symphony Chorus, where highlights included Bach’s St. Matthew Passion, the Requiem Masses of Mozart, Brahms, and Verdi, Elgar’s Dream of Gerontius, Bernstein’s Kaddish Symphony, Rachmaninov’s The Bells, and Vaughan-Williams’ Sea Symphony. He is a frequent guest conductor, and in 2022-2023 prepared Handel’s Messiah, Ravel’s Daphnis and Chloe, and Benjamin Britten’s War Requiem for the San Francisco Symphony.
A passionate advocate for music education, Joshua Habermann is a regular clinician for state and national events and has led honor choirs and choral festivals in North America, Europe, Asia, and Latin America. In 2024, he conducted Cantatas 72, 73 and 92 for Bach Santiago (Chile), a concert series dedicated to the first full cycle of Bach Cantatas in South America. He currently teaches choral literature at the University of North Texas.
As a singer (tenor), Habermann has performed with the Oregon Bach Festival Chorus under Helmuth Rilling and Conspirare under Craig Hella Johnson. Recording credits include Requiem and Threshold of Night, both GRAMMY® nominees for best choral recording. Recordings as a conductor include The Road Home and Rachmaninov’s All Night Vigil with the Desert Chorale.
Image Credit: Tira Howard Photography
Emma Marzen has been Executive Director of the Santa Fe Desert Chorale since January 2020. Under her leadership, the Chorale has experienced transformational financial, audience, and personnel growth. In the first five years of her tenure, the organization’s net equity has risen by $3M, including a new permanent endowment and cash reserve fund, and annual operating revenues have increased by 37%. Audience retention and growth has increased dramatically beyond pre-pandemic levels, producing reliable 20%+ tickets sales revenue growth year over year. To advance the organization’s mission and goals, Emma has built a team of professional arts administrators, adding four new full-time and two new part-time employees, in addition to specialized contractors, to the Chorale’s staff.
From 2018 to 2020, Marzen served as Board Relations Manager of the Santa Fe Opera, one of the world’s leading opera companies, following her initial tenure with the Santa Fe Desert Chorale from 2016 to 2018, where she ultimately served as Assistant Director.
A singer by training, Marzen holds a Bachelor of Music in Music Business & Entertainment Industries from the University of Miami. Highlights of Emma’s collegiate years in the Frost Chorale under the direction of the late Dr. Karen Kennedy include: Mahler’s Symphony No. 3 and Holst’s The Planets with the Cleveland Symphony Orchestra; a tour of the United Kingdom in May 2014, including a BBC recording at Canterbury Cathedral; and Maurice Duruflé’s Requiem at Carnegie Hall, conducted by Joshua Habermann. Marzen additionally holds a Certificate in Professional Fundraising from Boston University and is a member of Chorus America’s Leadership Development Forum.
Image Credit: Tira Howard Photography
Staff
Joanna Armstrong
Sales & Marketing Director
Joanna Armstrong Bio
Joanna Armstrong joined the Santa Fe Desert Chorale staff in 2021, gaining valuable experience as Administrative Assistant before moving into marketing shortly afterwards. She moved to New Mexico to be a part of this incredible team from Virginia, where she previously worked as an Adjunct Voice Professor and the Administrative Assistant for the Voice Area at Southern Virginia University. A lover of music herself, she holds a B.A. in Music from Southern Virginia University and a M.M. in Vocal Performance from Brigham Young University. As a graduate student, Joanna also worked as the Assistant Graduate Coordinator for the BYU School of Music and spent her summers working as a Research Assistant in Music Special Collections at the Harold B. Lee Library. In her free time, she enjoys singing with ensembles in Santa Fe and Albuquerque.
- Image Credit: Erin Talley
George Case
Artist Manager
George Case Bio
Rachelle Elbert
Patron Services Assosciate
Rachelle Elbert Bio
Rachelle Elbert is a dynamic operations leader and classically trained musical theater performer with a BFA in Music Dance Theater from Brigham Young University. With a career spanning performance, corporate leadership, outdoor recreation, and customer experience, she brings a rare combination of creativity, discipline, and people-centered leadership to every environment.
Professionally, Rachelle has led teams of up to 80 employees in high-volume operational settings, including fulfillment and fitness management. Her expertise includes process improvement, safety compliance, data analysis, onboarding and training, conflict resolution, and KPI-driven performance management. She is known for building optimistic, high-accountability team cultures where people feel both supported and empowered.
Alongside her corporate experience, Rachelle has performed in regional theater productions across the country and continues to work as a vocalist and performer. Her background in the performing arts informs her leadership style—grounded in communication, emotional intelligence, adaptability, and presence.
With additional experience in outdoor recreation, trail safety, and wilderness response, Rachelle thrives in roles that combine leadership, service, and meaningful human connection. She is passionate about developing people, improving systems, and contributing to organizations that value both excellence and integrity.
Heather Lacy
Community Engagement Manager
Heather Lacy Bio
Heather Lacy joined the Santa Fe Desert Chorale staff in 2024 as Cultivation & Engagement Manager. She also runs the Chorale’s Hearts in Harmony program at The Life Link with pianist Michelle Schumann.
She previously worked as the choral director and fine arts coordinator at Henderson County High School in Kentucky. In this role, she conducted multiple distinguished ensembles and helped facilitate community performances and arts events.
Heather earned her Bachelor of Music Education (Vocal Emphasis) degree from Kentucky Wesleyan College in 2016 and her Master of Music Education (Choral Conducting Emphasis) from Westminster Choir College in 2020. She studied in person at WCC from 2016-2017, during which she was an alto section leader for the Westminster Symphonic Choir.
Anne Pearson
Development Manager
Anne Pearson Bio
Professionally, Anne thrives in fast-paced settings. She is a proactive leader who enjoys driving initiatives forward, nurturing vital relationships with stakeholders, and leveraging her strong analytical and problem-solving skills to empower teams and projects with strategic frameworks and creative solutions.
Prior to joining the Santa Fe Desert Chorale, Anne led fundraising initiatives for a Nevada-based non-partisan political organization. Her responsibilities included developing comprehensive fundraising strategies and measurable goals, collaborating closely with the Board of Directors, strategically managing data resources, creating compelling fundraising communications, and orchestrating both large and small fundraising and community events.
Prior to relocating to Las Vegas in 2017, Anne was Senior Director at Vendely Communications, a respected PR and Marketing firm in Los Angeles. There, she honed her expertise in client relations, communication strategy development, and event management for a diverse range of non-profit, technology, arts, corporate, and entertainment clients.
Earlier in her career, Anne contributed to a multi-year, multimillion-dollar capital project at Disney International as Service & Delivery Manager. In this role, she directed the procurement and delivery strategy across an extensive network of 90 locations in 42 countries.
Notably, during the initial growth of the Shoah Foundation, Steven Spielberg’s Holocaust visual history archive, Anne was a key early team member. As Campaign Finance Administrator, she collaborated with fundraising colleagues on an ambitious five-year, $100 million development campaign. Her responsibilities encompassed event management, strategic plan development, donor stewardship, and database design.
A graduate of Loma Linda University with a BA in Mass Media, Anne’s interests extend beyond her professional life. She is a painter and writer, a student of comparative religions, an enthusiastic traveler, and a formally trained pianist. This multifaceted background enriches her perspective and informs her collaborative and creative approach to development.
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Mark Zero
Grants Manager
Mark Zero Bio
Mark Zero is the author of six novels and a book of nonfiction under his pen name, Mark Beauregard. His novel The Whale: A Love Story was a finalist for a Los Angeles Times Book Prize and won the M.M. Bennetts Award for Historical Fiction. Before joining Santa Fe Desert Chorale, Mark worked as a nonprofit professional with many education, social-service, and arts nonprofits in Tucson, including serving as the General Manager for the Tucson Pops Orchestra.
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Enrico Lagasca
Digital Content Manager
Enrico Lagasca Bio
Amid the wide-ranging demands of his repertoire, critics note: “Bass-baritone Enrico Lagasca summoned nearly as much volume as everyone else onstage put together, and matched that visceral force with vivid phrasing,” wrote Baltimore’s Tim Smith regarding the U.S. premiere of the Jonathan Dove opera The Monster in the Maze. And “Lagasca’s singing was an outpouring of devotion and grief as elegant as it was moving,” wrote Rick Perdian in Seen and Heard International regarding Bach’s St. Matthew Passion. Enrico trained at the University of the Philippines and Mannes College of Music. Visit enricolagasca.com
- Website: www.enricolagasca.com
- Facebook and Instagram: @enricolee
- Image Credit: Jiyang Chen
Michelle Schumann
Hearts in Harmony Pianist
Michelle Schumann Bio
Michelle’s most irresistible qualities as a performer include her unabashed musical expression and her ability to connect with audiences. Her performance of Gershwin’s Rhapsody in Blue conducted by Peter Bay of the Austin Symphony was named the #1 Classical Arts Event of 2008 by the Austin Chronicle. Additional accolades include the 2017 award for Classical Music Ensemble; the 2009 award for “Best Instrumentalist;” and the 2006, 2007, and 2008 award for “Best Chamber Music Performance” given by the Austin Critics’ Table. While deeply steeped in the creative-cultural community of her hometown, Michelle has also been a featured performer at international festivals including the Edinburgh Fringe Festival, Ottawa Chamberfest, Ethos Contemporary Music Festival, San Angelo Piano Festival, Fayetteville Chamber Music Festival, International Festival Institute at Round Top, Long Beach Opera Festival, Bang-on-a-Can Summer Festival at the Massachusetts Museum of Modern Art, Banff Festival of Music and Sound, Snake River Chamber Music Festival, Victoria Bach Festival, Victoria International Festival, and Tanglewood.
Praised for her versatility, Schumann has helped to lead an eclectic array of projects demonstrating her commitment to unexpected creativity in collaboration. Project highlights include designing and performing the music for Ballet Austin’s “Truth and Beauty: The Bach Project” which featured solo piano music by J.S. Bach and Philip Glass and was later aired on the lauded PBS-KLRU program, “IN CONTEXT.” In addition to performing the solo piano program, Schumann also led a baroque ensemble from the harpsichord for Bach’s Orchestral Suite No.2. In 2010, Schumann served as music director, conductor, and pianist for Michael Nyman’s chamber opera The Man who Mistook his Wife for a Hat, in a collaboration with Austin Lyric Opera during the Austin Chamber Music Festival. In 2006 and 2008, Michelle’s pianism took to the dramatic stage in a staged production of Schubert’s Die Winterreise, directed by the Viennese Maverick producer Andreas Mitisek of the Long Beach Opera. Michelle has also been an enthusiastic proponent of the music of John Cage and has developed a cult-like following for her annual “Happy Birthday, Mr. Cage!” concert which she has been producing, performing, and directing since 2000. Highlights of the series includes a collaboration with film-collage artist Luke Savisky in an acclaimed rendering of Cage’s “Sonatas and Interludes for Prepared Piano;” and a co-production with the Austin Zen Center of Cage’s most meditative music, set for an encore presentation at the Brooklyn Zen Center in 2011.
From 2006 to 2024, Michelle served as Artistic Director of the Austin Chamber Music Center, “fearlessly expanding our definition of chamber music” (Austin-American Statesman). Following her ground-breaking first season with the Austin Chamber Music Center, she won multiple awards from the Austin Critics Table, including the coveted award for “ Body of Work/Season.” Praised for “her whip-smart sense of programming” (Austin-American Statesman), Schumann’s specialty is developing unexpectedly integrated and thought-provoking programs. Her brand of performance includes an enthusiastic interplay with the audience, with whom she shares surprising insights about the music, composers’ lifestyles, and the social context of music performed. Her trademark includes bringing diverse music together under a cohesive narrative, producing not simply concerts, but events. She was named “Best Classical Musician” in the Best of Austin 2019 Readers Poll by the Austin Chronicle.
Michelle has enjoyed performing with some of the finest musicians gracing the world’s stages, including violinists Soovin Kim, Charles Wetherbee, and Brian Lewis; cellists Clancy Newman and Sara Sant’Ambrogio; and the Jupiter, Cavani, Carpe Diem, and Chiara String Quartets. Michelle’s other collaborations include the Meridian Arts Ensemble, American Repertory Ensemble, American Ballet Theater, New York City Ballet, Joffrey Ballet, the Austin Symphony Orchestra, and Long Beach Opera.
Schumann was artist-in-residence and professor of piano at the University of Mary Hardin-Baylor where she was the founder and Artistic Director of the Hillman Visiting Artists Series. She received a Doctor of Musical Arts degree from The University of Texas at Austin and additionally holds a Young Artist Diploma from the Cleveland Institute of Music and a Performance Diploma from the Vienna Conservatory. Her principal teachers included Anton Nel, Gregory Allen, and Marilyn Engle with additional teaching mentors including Emmanuel Ax, Peter Serkin, Ursula Oppens, Anne Epperson, and James Dick.
Board of Directors
Catherine Gronquist
President
Catherine Gronquist Bio
Cathy Gronquist moved to Santa Fe in 2008 after 27 years living and working in London, England. A Westerner by birth, she received a BA and MBA from the University of Denver. Gronquist spent her career in London working for Morgan Stanley International as a Managing Director in Fixed Income and latterly, Global Research Management. Gronquist join the Santa Fe Botanical Garden Board in 2009 and served as Secretary and then President and was instrumental in the fundraising which led to the build out of the garden’s site on Museum Hill in Santa Fe which opened in 2013. She joined the Board of the Santa Fe Desert Chorale in 2018 and has served as Treasurer and Chair of the Finance Committee and currently as President of the Board of Directors. A long-time amateur singer, Gronquist has especially enjoyed Santa Fe Sings and getting to know and hearing the outstanding professional singers of the Desert Chorale. Cathy and her husband Guy were awarded the SFDC’s Angel Award in 2024.
Diane Graves
Vice President
Diane Graves Bio
Felicia Morrow
Treasurer
Felicia Morrow Bio
Felicia is honored to contribute to the SFDC Board, as well as the Finance and Endowment Committees. She has spent her career in international work, focused on investing in emerging markets. She earned her MBA with a focus on finance from Harvard Business School and holds a BA from Stanford University.
In addition to her work with SFDC, Felicia actively serves on the boards of the International Folk Art Market and Actinver, a Mexican financial group. She has also served on the board and audit committee for a Colombian investment firm.
Felicia and her husband Dan have 3 children and 8 grandchildren. New Mexico has been home to her family for four generations.
Gregory Dove
Secretary
Gregory Dove Bio
Richard G. Andrew
Member
Richard G. Andrew Bio
Murray Bern, M.D.
Member
Murray Bern Bio
Murray Bern has had 44 years experience as a physician, with 41 of those years focused upon the fields of Hematology and Oncology, with experience in the clinical, research, teaching and managerial components of the profession. He has had a wide range of writings, lectures, memberships in professional organizations and hospital leadership roles.
He received a B.A. degree from Vanderbilt University and his M.D. degree from Tulane University School of Medicine. He completed his postgraduate training at the New England Deaconess Hospital, Boston City Hospital (Harvard Service) and the Center for Blood Research, in Boston, Massachusetts. His academic appointments were at Harvard Medical School and more recently at the University of New Mexico School of Medicine, Department of Medicine and its Comprehensive Cancer Center.
His administrative responsibilities have included serving as Director for Education for medical residents, Department of Medicine and as Section Chief of Hematology at the New England Deaconess Hospital, Boston, Massachusetts. He was Section Chief of Hematology and Oncology at the New England Baptist Hospital in Boston, Massachusetts. He was cofounder of the Cancer Center of Boston and served as its Director of Hematology and Medical Supervisor of its laboratory, and later as its President. He has been the President of the Foundation for Hematology Research and the Cancer Center Research Foundation, Inc.
While working as a physician he was on the Advisory Boards or the Boards of Governors of a variety of organizations. He was a member of several medical organizations, serving on committees in some.
He has published research papers and abstracts for scientific meetings dealing with topics within the fields of Hematology and Oncology. He contributed to and edited books and has lectured regionally, nationally and internationally on those topics. He participated in post-graduate lectures for Harvard Medical School.
He and his wife, Nancy, moved to Santa Fe in 2014 where they built a home. For many years he enjoyed racquetball, squash, fly fishing, reading, hiking, gardening, completing home repairs and listening to music.
Douglas Brooks
Member
Douglas Brooks Bio
Douglas Brooks is a native of Northern Illinois, where he served on several not-for-profit boards for the performing arts, parks and recreation, and youth. He graduated from high school in Connecticut, and studied Architecture in college in Massachusetts. He and his wife Helen moved permanently to Santa Fe in 2016. He has worked for the last eight years at the University of New Mexico Hospital in Albuquerque as design and construction leader for the new hospital.
Mary Delk
Member
Mary Delk Bio
Chris Frenk
Member
Chris-Frenk Bio
Jeffrey C. Fort, J.D.
Member
Jeffery C. Fort, J.D. Bio
Jeff began his attraction to singing at 8 years old in a church youth choir, continued through high school and college choirs (including making a record in college) and thereafter in various church choirs. “Joining the Desert Chorale Board was a great opportunity. I had heard the Chorale perform in Santa Fe for years. Dave Bueschel did not have to ask twice.”
As a member of the Illinois bar for 50 years, Jeff has specialized in environmental law. He has successfully represented clients in every kind of matter, from compliance advice to court disputes in Cook County “smoke courts” and federal district and appellate courts, to the United States Supreme Court in a landmark case involving Lake Michigan.
Over the last 20 years, Jeff has focused on air quality and climate protection issues. He took his knowledge of the use of offsets under Title 1 of the Clean Air Act and applied those principles to the creation and use of offsets to meet obligations for international climate agreements. He continues to assist clients in helping them show that their innovations and approaches to reducing their air emissions are far better than required by law and in doing so help them be recognized by third party validators so as to receive “carbon credits.”
He has been recognized by many leading authorities on environmental matters. Among those recognitions are:
- by the Financial Times as among the 10 most creative lawyers in North America in December 2022
- by Chambers & Partners as among the top 15 lawyers in the field of “Climate Markets”
- by several publications including Chambers & Partners, US leading Lawyers, Best Lawyers and Leading Lawyers over the past decades in environmental law and climate issues
Joshua Habermann
Artistic Director, Ex-officio Member
Joshua Habermann Bio
Joshua Habermann is in his seventeenth season as Artistic Director of the Santa Fe Desert Chorale, one of the nation’s premiere professional chamber choirs. Since joining the ensemble, he has broadened its repertoire to include choral-orchestral masterworks and unique concert experiences ranging from early music to new commissions. Under his leadership, the Desert Chorale has been featured at regional and national conferences of the American Choral Directors Association, and its summer and winter festivals are among America’s largest choral events.
Habermann’s experience with symphonic choruses spans over three decades, encompassing the full range of the choral-orchestral repertoire. From 2011 to 2022 he was director of the Dallas Symphony Chorus, where highlights included Bach’s St. Matthew Passion, the Requiem Masses of Mozart, Brahms, and Verdi, Elgar’s Dream of Gerontius, Bernstein’s Kaddish Symphony, Rachmaninov’s The Bells, and Vaughan-Williams’ Sea Symphony. He is a frequent guest conductor, and in 2022-2023 prepared Handel’s Messiah, Ravel’s Daphnis and Chloe, and Benjamin Britten’s War Requiem for the San Francisco Symphony.
A passionate advocate for music education, Joshua Habermann is a regular clinician for state and national events and has led honor choirs and choral festivals in North America, Europe, Asia, and Latin America. In 2024, he conducted Cantatas 72, 73 and 92 for Bach Santiago (Chile), a concert series dedicated to the first full cycle of Bach Cantatas in South America. He currently teaches choral literature at the University of North Texas.
As a singer (tenor), Habermann has performed with the Oregon Bach Festival Chorus under Helmuth Rilling and Conspirare under Craig Hella Johnson. Recording credits include Requiem and Threshold of Night, both GRAMMY® nominees for best choral recording. Recordings as a conductor include The Road Home and Rachmaninov’s All Night Vigil with the Desert Chorale.
- Image Credit: Tira Howard Photography
Chelsea Helm
Singer Representative, Ex-officio Member
Chelsea Helm Bio
Favorite chamber performances in recent seasons have included David Lang’s Little Match Girl Passion with Atlanta’s Kinnara, Bach’s cantata BWV 82a “Ich habe genug” with the Bach Vespers series at Holy Trinity Lutheran in New York City, Schoenberg’s Das Buch der hängenden Gärten with CMI San Antonio, and a program of works by women composers of the Italian Baroque with Concordia Chamber Players in New Hope, PA.
Also an active choral artist, Ms. Helm appears and records regularly with Seraphic Fire, the Santa Fe Desert Chorale, True Concord Voices & Orchestra, DC’s The Thirteen, Kansas City’s Spire Chamber Ensemble, the internationally touring American Soloists Ensemble, and Conspirare, with whom she was nominated for a GRAMMY® award for Best Choral Album.
Ms. Helm holds a Master of Music in Voice Performance from the Shepherd School of Music at Rice University, and a Bachelor of Music in Voice Performance and Music Education from Western Michigan University. Also a WMU Gold Company alumna, Ms. Helm recorded a Downbeat award-winning album in 2013 with vocal jazz quartet the Four Corners. She enjoyed bringing her jazz background to Santa Fe during the 2019 Summer Festival, with a special program spotlight, Late Night with Chelsea Helm and the Bert Dalton Trio.
Ms. Helm is an adjunct teacher of voice at Southern Virginia University and is on the faculty of the Classical Music Institute’s ASCEND program in San Antonio, TX. She has presented art song recitals in New Mexico, Virginia, Utah, Texas, and in her home state of Michigan. She is now based in Washington, DC.
- Website: chelseahelmsoprano.com
- Instagram: @chelseahelmsoprano
- Image Credit: Caitlin Oldham
Stephen Hochberg
Member
Stephen Hochberg Bio
Christine M. Lorillard
Member
Christine M. Lorillard Bio
Christine Metteer Lorillard was a law professor at Southwestern Law School in Los Angeles for 34 years, specializing in Federal Indian Law. She has been Professor Emerita since 2013. She holds a B.A, M.A., and Ph.D. from UCLA, as well as a J.D. equivalent from Southwestern’s accelerated two-year program.
After many years spent working on cases involving the Indian Child Welfare Act, Christine branched out to work in the area of International Children’s Rights, working with the United Nations Convention on the Rights of the Child (UNCRC). She was also Director of the PLEAS Program (Part Time Legal Education at Southwestern, a four-year day program for students with parenting responsibilities) from 1992-2002.
After retiring and moving to Santa Fe in 2013, Christine served on the Board of Directors of the Botanical Garden, and its Development, Membership, and Master Planning committees; the Board of Directors of the Vista Grande public library; and on Museum of New Mexico Foundation’s Advancement Committee for the Museum of Indian Arts and Culture. She is currently a docent at both the Botanical Garden and the Museum of Indian Arts and Culture.
Christine is a lifelong pianist, starting lessons at age eight. Her love of piano was re-kindled during COVID, when she bought a new piano and started playing again in earnest, if only for her husband, Pierre, and her dog, Raven.
Barry Lyerly
Immediate Past President
Barry Lyerly Bio
Barry Lyerly’s career includes being a speaker, author, and trainer. He created his own seminar and consulting business in 1983, focusing on management and organization development. His clients included the Bank of America, McDonald’s Corporation, the National Association of Realtors, Hartmarx Corporation, Morton International, La Rabida Children’s Hospital, University of Chicago Hospitals’ Academy, and Ace Hardware Corporation. A featured speaker several times for the American Society for Training and Development’s International Conferences, in 2000 he co-authored Training from the Heart, a best-selling book in the training profession. Before starting his own business, Barry was the Director of Training for Marshall Field’s in Chicago.
Barry’s interest in music began in middle school, where he became a percussionist. While in high school he attended the National Band Camp in Gunnison, Colorado, and was selected to be part of the All-Southern California High School Band, rehearsing at UCLA and performing at Shrine Auditorium. As a teenager Barry attended concerts by the Los Angeles Philharmonic and can still remember memorable performances — such as Bruno Walter conducting Death and Transfiguration by Richard Strauss and a very young Geog Solti conducting a spirited Rossini overture. He was introduced to professional singers when his parents took him to attend a concert by “Fred Waring and the Pennsylvanians” on his 16th Birthday.
During the 1970’s, while on the staff at Albion College in Michigan, he managed their Lecture/Concert series, bringing to campus and community such artists as the Detroit Symphony Orchestra, Jean-Pierre Rampal, the Stradivari String Quartet and Emanuel Ax.
While living in Chicago, Barry was on the Board of Directors of the Rembrandt Chamber Players (composed of musicians from the Lyric Opera of Chicago orchestra and the Chicago Symphony Orchestra) from 2007 until 2010. While on the Board, he assisted with strategic planning, financial management, and staff selection and development, serving as co-president one year.
Barry has been on the Board of the Santa Fe Desert Chorale for three consecutive three year terms. He served as President from March 2020 until February 2024. Barry assisted in a special fundraising campaign, “Keep Our Voices Singing,” during the Covid 19 period and facilitated creating a Strategic Plan during the same time period.
Barry holds an MA in Counselor Education from the University of Iowa and a BA in Political Science from the University of Colorado. He and his wife Margaret live in Santa Fe, New Mexico. Their two sons and grandchildren live in Arizona and North Carolina.
Emma Marzen
Executive Director, Ex-officio Member
Emma Marzen Bio
Emma Marzen has been Executive Director of the Santa Fe Desert Chorale since January 2020. Under her leadership, the Chorale has experienced transformational financial, audience, and personnel growth. In the first five years of her tenure, the organization’s net equity has risen by $3M, including a new permanent endowment and cash reserve fund, and annual operating revenues have increased by 37%. Audience retention and growth has increased dramatically beyond pre-pandemic levels, producing reliable 20%+ tickets sales revenue growth year over year. To advance the organization’s mission and goals, Emma has built a team of professional arts administrators, adding four new full-time and two new part-time employees, in addition to specialized contractors, to the Chorale’s staff.
From 2018 to 2020, Marzen served as Board Relations Manager of the Santa Fe Opera, one of the world’s leading opera companies, following her initial tenure with the Santa Fe Desert Chorale from 2016 to 2018, where she ultimately served as Assistant Director.
A singer by training, Marzen holds a Bachelor of Music in Music Business & Entertainment Industries from the University of Miami. Highlights of Emma’s collegiate years in the Frost Chorale under the direction of the late Dr. Karen Kennedy include: Mahler’s Symphony No. 3 and Holst’s The Planets with the Cleveland Symphony Orchestra; a tour of the United Kingdom in May 2014, including a BBC recording at Canterbury Cathedral; and Maurice Duruflé’s Requiem at Carnegie Hall, conducted by Joshua Habermann. Marzen additionally holds a Certificate in Professional Fundraising from Boston University and is a member of Chorus America’s Leadership Development Forum.
- Image Credit: Tira Howard Photography
Fraser A. McAlpine
Member
Fraser A. McAlpine Bio
Carmen Paradis
Member
Carmen Paradis Bio
Carmen Paradis grew up in Edmonton, Canada, where she attended the University of Alberta medical school. She subsequently trained in general surgery at McGill University in Montreal, plastic surgery at University Hospitals in Cleveland, Ohio and hand surgery at Hospital for Joint Diseases in New York, New York. After twenty years in private practice she received a masters degree in bioethics at Case Western Reserve University and worked as a bioethicist at the Cleveland Clinic, specializing in research ethics, for ten years. She has served on multiple medical committees and boards, helping to shape the trajectory of medical practice. Having retired, she moved with her husband, Brian McGrath to Santa Fe in 2015. She has served on the board of the Desert Chorale since 2020.
Marianne Reuter
Member
Marianne Reuter Bio
Alison Sowden
Member
Alison Sowden Bio
Alison Sowden spent most of her career working for educational and arts institutions in top financial roles. She began her career at what was then Coopers and Lybrand in Philadelphia and got her CPA. After graduate school, she worked for Monticello, Thomas Jefferson’s home, and the J. Paul Getty Museum. She served as Vice President for Financial Affairs at The Huntington Library, Art Museum, and Botanical Gardens in San Marino, California. She was Vice President for Finance at the Art Institute of Chicago, and Chief Financial Officer for the Los Angeles Philharmonic. While at The Huntington, in 2013 she was awarded the Nonprofit CFO of the Year by the Los Angeles Business Journal.
Before and during retirement, she has served on a number of not-for-profit boards and is currently a trustee and Chairman of the Finance Committee for Mount Saint Mary’s University in Los Angeles and serves on the board of the Pfaffinger Foundation (which provides grants to journalists and others in the news industry who have worked at former Times Mirror companies). She also works with the Pasadena Conservatory of Music in an advisory capacity.
Alison received her undergraduate degree from Temple University, where she was a President’s Scholar, and her M.A. in English Literature from the University of Virginia, where she was a DuPont Fellow.
After losing her home in the Eaton Fire in 2025, Alison shifted her center of gravity to Santa Fe and spends part of her time in Pasadena, California. She is a devoted participant in and proselytizer for the St. John’s Classics programs.
Patricia Stanley
Member
Patricia Stanley Bio
Susie Wilson, D.M.A.
Honorary Director
Susie Wilson Bio
Directors Emeriti
Mary G. Brennan
David A. Bueschel
Mark Edw. Childers
Margie Edwards
Kirk Ellis
Allison Elston†
John Greenspan†
Kathleen Davison Lebeck, J.D.
Sheryl Kelsey
Lynn F. Lee
William H. Lynn
Dorothy Massey
Ian McKee†
Laurie Meyer
Haydock Miller†
Margaret K. Norton
Jane Clayton Oakes†
Mary Lou Padilla, Ph.D.
Nina Hinson Rasmussen†
Don Roberts†
Brooke Bandfield Taylor
Jane Thomson
Frances White†
Brahna Lauger Wilczynski
Mac Wright†
† in memoriam


